影片推荐
四十而惑
保罗·路德,莱斯利·曼恩,杰森·席格尔,克里斯·奥多德,梅根·福克斯,梅丽莎·麦卡西,莉娜·邓纳姆,艾伯特·布鲁克斯堵车
吴镇宇,倪大红,吕丽萍,孙海英,陈志朋,吴俊余,葛思然,巴哈古丽看护中
李裕英,芮秀贞,廉惠兰,尹敬浩三人世界
林子祥,郑裕玲,关之琳,周慧敏,刘嘉玲,罗美薇,卢冠廷,金燕玲,周文健小前提
Sathya Sridharan,帕顿·阿什布洛克,达纳·艾希布鲁克克莱默夫妇
达斯汀·霍夫曼,梅丽尔·斯特里普,简·亚历山大,贾斯汀·亨利,霍华德·达夫,乔治·科,乔贝兹·威廉姆斯,比尔·穆尔,豪兰·张伯伦,杰克·拉梅奇,杰斯·奥苏纳,尼古拉斯·霍曼,埃朗·帕克,谢尔比·布拉默,卡萝尔·纳德尔,唐纳德·甘特里,朱迪丝·考尔德,彼得·洛兹,凯瑟琳·凯勒,丹·蒂拉,彼得拉·金,梅利莎·莫雷尔同类精选
夺命网红2
卡桑德拉·诺德,乔治娜·坎贝尔,丽莎·德拉马尔,乔纳森·怀特赛尔,维罗妮卡·隆,迪伦·普莱费尔过家家2026
成龙,彭昱畅,张佳宁,潘斌龙,李萍,牛犇,刘敏涛,冯兵,李宗恒,芮丹尼,黄才伦,老四,黄炎,韩栋,张国庆,刘頔,刘洋,陈昊明,那家威,杨帆,永辰,李洪权,胡笑源,傅晓娜,韩沐霏,李太言,朱籼籼基卡2025
玛侬·克拉维尔,Makita Samba,托马斯·库芒,Suzanne Elbaz,Ethelle Gonzalez Lardued,伯纳德·布兰卡恩,Kadija Leclere,安纳尔·斯诺克,Thierry Hellin,埃洛迪·巴特尔斯继女2024
安妮·伊隆泽,Judy Johnson,Blue Kimble,Cassidey Fralin,Neil Wachs我老婆不是人
梁家辉,关之琳,胡枫,陈雅伦,周文健,梅小惠,郑丹瑞,黎彼得,张坚庭愚者的身份
北村匠海,绫野刚,林裕太,山下美月,矢本悠马,木南晴夏影视排行
凯多湖的消失
迪伦·奥布莱恩,伊莱扎·斯坎伦,黛安娜·霍佩尔,卡罗琳·福克,山姆·亨宁斯,埃里克·兰格,劳伦·艾波罗丝,Nina Leon,兰斯·E·尼克尔斯,大卫·马尔登那多,基姆·巴蒂斯特,Jody Sellers,Greysen Conley,Jules Hilillo Fernandez,Jennifer Sellers,Larry S. White II,A.C. Cooper,Zedrick Tinsley,Elizabeth Feliciano一个8岁的女孩神秘地消失在卡多湖上，一系列过去的死亡和失踪开始联系在一起，永远改变了一个破碎家庭的历史。
太空生活
罗伯特·帕丁森,朱丽叶·比诺什,安德雷·本杰明,米娅·高斯,阿加塔·布泽克,拉斯·艾丁格,克莱尔·陈,伊万·米切尔,格洛里亚·奥比安约,斯嘉丽·林赛,杰西·罗斯,维克多·班纳杰,Juliette Picollot,Mikolaj Gruss,Weronika Wachowska在一艘飞往黑洞的宇宙飞船上，一群被判死刑的罪犯被赋予太空英雄般的使命，去为地球寻找替代能源。囚犯之间的性活动被严格禁止，只能通过飞船上的"盒子"装置来缓解生理冲动。其中，Dibs博士(朱丽叶·比诺什 饰)将每个囚犯当作实验动物对待，并疯狂致力于通过人工授精来制造婴儿，然而这些实验却一直没有成功，直到她偷偷取得奉行禁欲生活的Monte(罗伯特·帕丁森 饰)的精液...
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
洛杉矶劫案
克里斯·海姆斯沃斯,马克·鲁法洛,巴里·基奥恩,哈莉·贝瑞,莫妮卡·巴巴罗,科里·霍金斯,尼克·诺特,詹妮弗·杰森·李,泰特·多诺万,保罗·安德斯坦,戴文·博斯蒂克,德鲁·鲍威尔,帕特里克·穆尔维,马修·德尔·内格罗,安德拉·内切塔,法希姆·法兹利,佩曼·莫阿迪,丹·佩罗,乔希·斯通,哈娜可·福特曼从未失手的珠宝大盗，本想干完最后一票便金盆洗手，却与中年失意的精英高管意外结盟，联手布下棋局。另一边，深陷职场困局的王牌警探，正凭借蛛丝马迹一步步将矛头对准他们，更有黑帮劫匪暗中蛰伏，伺机搅局。螳螂捕蝉、黄雀在后，当规则与道德的边界被打破，这场颠覆命运的惊天罪案，究竟谁能安全脱身？