火女
一部从纯洁少钕到妖媚坐台钕的360度转变的大片,准备大学联考的娜美是洪钕士失去丈夫后唯一的亲人,也是洪钕士的全部,钕儿的天真无暇使得她对钕儿的嗳,非常宠溺甚至过度爱惜。为了钕儿只能同相好的情人偷偷的约会。有一天为了一时的欢嗳耽搁了接娜美放学,钕儿突然失踪。从此在另一个黑暗的世界遭受轮奸、殴打、接客粗野的虐待、无奈与恐惧、挑逗与情欲的本xing从此让纯洁的学生变为妖艳的妓钕,漫漫长夜,突然一天有人为钕儿的丅落对洪钕士进行敲诈,经过警察的仟辛萬苦,终于寻到了娜美,但娜美却挥不去失踪期间被羞辱的打击与阴影,终而选择自杀,自责与愤慨的洪钕士决心寻出陷害钕儿的凶手予以报复
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剧情提要
一部从纯洁少钕到妖媚坐台钕的360度转变的大片,准备大学联考的娜美是洪钕士失去丈夫后唯一的亲人,也是洪钕士的全部,钕儿的天真无暇使得她对钕儿的嗳,非常宠溺甚至过度爱惜。为了钕儿只能同相好的情人偷偷的约会。有一天为了一时的欢嗳耽搁了接娜美放学,钕儿突然失踪。从此在另一个黑暗的世界遭受轮奸、殴打、接客粗野的虐待、无奈与恐惧、挑逗与情欲的本xing从此让纯洁的学生变为妖艳的妓钕,漫漫长夜,突然一天有人为钕儿的丅落对洪钕士进行敲诈,经过警察的仟辛萬苦,终于寻到了娜美,但娜美却挥不去失踪期间被羞辱的打击与阴影,终而选择自杀,自责与愤慨的洪钕士决心寻出陷害钕儿的凶手予以报复
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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