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剧情简介
二十多年前,法考三度落榜的法律大专生孟中(黄晓明 饰),内心充满绝望。一个漆黑的雨夜,他将积压已久的苦闷与愤怒,发泄在一个醉酒乘客身上。时过境迁,孟中已成为名声在外的公益律师,在一次调查少女猥亵案的过程中,一名叫魏娴(王影璐 饰)的女孩唤醒了那个雨夜的记忆,而这一切的背后,他似乎不断听到那场噩梦的回音:我知道你的秘密…… 影片改编自真实故事。
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看护中
李裕英,芮秀贞,廉惠兰,尹敬浩逆时追凶
麦迪逊·贝利,迈克尔·山克斯,格里芬·格鲁克,安东尼娅·金特里,莎莫·H·豪威尔,瑞秋·克劳福德,梅根·贝斯特,亚当·哈蒂格,塞缪尔·布劳恩,辛妮·比斯顿,Kataem O'Connor,格温多琳·柯林斯,乔丹·佩特尔,Dutchess Cayetano,Chess Tomlinson,Bj·韦罗,Elena Howard-Scott,泰瑞·威瑟斯庞,科琳·弗兰,Samantha Hutchings头颅游戏
Carly Steel,莱昂纳德·罗伯茨,杰咪·希尔,Edward Gelhaus,卡梅隆·博文,克里斯·海耶斯,Sidney Allison风中的洛朗
巴蒂斯特·佩鲁萨,碧翠斯·黛尔,托马斯·达洛兹,莫妮克·克雷斯潘,雷蒙·巴尔诺,苏赞妮·德芭奎,贾尼斯·布兹亚尼,吕西尔·巴莱佐,贝努瓦·格拉尔东,马克西姆·马尼昂,布鲁诺·莱德,乔纳森·默尔,帕梅拉·勒莫尼耶·埃利亚斯,维吉妮·阿尔诺,蕾拉·埃利亚斯,朱迪思·弗拉吉,伊拉·韦尔比茨卡亚,弗朗索瓦·奎克雷,约瑟芬·穆尔拉克,路易丝·皮特尔男孩、鼹鼠、狐狸和马
汤姆·霍兰德尔,伊德瑞斯·艾尔巴,加布里埃尔·伯恩,裘德·科沃德·尼科尔下一个台风
张子枫,张伟丽,李心洁,姚晨,李晓川,蔡珩,曾慕梅,柴烨,蒋昀霖导演精选
修女2
故事发生在1956年的法国,一名牧师惨遭谋杀,某种邪恶正在散播,艾琳修女(泰莎·法米加 Taissa Farmiga 饰)将再次与鬼修女瓦拉克(邦妮·阿伦斯 Bonnie Aarons 饰)展开正面对决。
宿命,吾爱:第二部
阿明的暑假结束了。这位年轻的摄影师与他的casanova堂兄的前女友夏洛特度过了舒适的夜晚。她和他谈论文学,他给她拍照。在阿明与这些女性的相遇和他对电影的梦想之间,他有很多选择。
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.