即刻观影
剧情赏析
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不是闹着玩的
李易祥,于根艺,曹随风,田华电影一直与阳春白雪相关,似乎很少有人把它与下里巴人联系在一起。可河南某小镇某小村,却发生了一件事,让电影与下里巴人进行了一次对接。村里的电影放映员蔡有才(李易祥 饰)一直有一个梦想,那就是亲自拍一部电影。这不是闹着玩的,有才果真开始实践起了拍电影之梦。围绕着鬼子进村的主题,有才开始寻找演员,构造场景,可这些非专业出身的演员和资金的限制,让片场状况百出也笑话百出,经过各种磨难,有才还是咬牙坚持了下来。 本片为真人真事改编,全程用河南话进行对白。真实情形为河南许昌县灵井镇兴元铺村的农民赵兰卿发动村民一起自编自导自演了一部名为《鬼子进村》的电影,开创了农民自己拍电影的先河。
交响班
凯德·麦拉德,萨米尔·盖丝米,艾尔弗雷德·雷利,让-吕克·文森特,塔蒂亚娜·罗乔,苏莱曼·达兹,马修·斯皮诺斯,安妮·梅林格,克劳迪·维纳斯特汗比,科琳娜·马尔尚,金吉·罗曼,让娜·比蒂诺娃,穆尼尔·马戈姆西蒙(凯德·麦拉德 Kad Merad 饰)曾是一名非常有名的小提琴演奏家,对这项乐器充满了热情与喜爱,可是如今,他却现身巴黎的一所初中之中,成为了那里的一群六年级孩子们的小提琴老师。西蒙对待音乐的态度非常的严肃,他自己的个性也十分不苟言笑,因此无法和班上的孩子们打成一片,孩子们在调皮捣蛋的同时也非常惧怕这位老师。 阿诺(艾尔弗雷德·雷利 Alfred Renely 饰)是一个非常害羞的男孩,和班上的其他孩子不同,他对待小提琴有着和西蒙一样的热爱。阿诺的憧憬渐渐点燃了西蒙内心里快要熄灭的火焰,在阿诺的影响下,西蒙找到了人生新的方向。
呕吐戈尔2:祭祀
《祭祀》是2008年在美国上映的一部恐怖电影,由路西尔.维纶泰恩执导,路西尔.维纶泰恩领衔主演。 《祭祀》展示了涅槃般乐队的柯特·科本以及患有贪食症的歌手安吉拉·阿伯丁自杀的疯狂景象。受到恶魔般的同胞的感官精神的影响,安吉拉痛苦的自残终于遭遇脑死亡。这是导演lucifervalentine的第二部作品
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
列宁格勒牛仔搭摩西
Twist-Twist Erkinharju,Ben Granfelt,Sakke Järvenpää此片是《列宁格勒牛仔征美记》的续集,列宁格勒牛仔乐团收到了美国人的邀请去纽约演出,没有签证的他们在墨西哥海关闯关成功来到了美国,这是他们前任队长米卢出现了,他号称在沙漠里得到了上帝的拯救,已经洗心革面成为了像摩西一样的圣人,他许愿他们巡回演出后把他们带回故乡,因为家乡诞生了一头圣牛,为了庆祝,米卢决定盗走自由女神的鼻子作为献给圣牛的礼物,得逞后他们带着鼻子来到了法国、德国、捷克,一路上他们和CIA密探斗志斗勇,险象环生,而密探长时间和因为看了米卢送的圣经为之感化,成为了他们的一员,于是,这支并不高明的乐队为了这个神圣的梦想,一路卖唱,千辛万苦,终于回到了西伯利亚的家乡
毛骨悚然撞鬼经 15周年特别篇
稻垣吾郎,草彅刚,北乃绮,坂上忍,石原里美,小池彻平,桐谷美玲,菜菜绪,黑木瞳,町田启太,刚力彩芽,岛崎遥香,广濑爱丽丝,藤本泉S铜山的女人:失意的保险公司业务员山边夏美(石原里美 饰)和同僚桑原(小池彻平 饰)在归途中误入被封闭多年的S铜矿山,由此遭遇了一连串恐怖的诡异事件;小智:被情感困扰的女孩里奈(刚力彩芽 饰)按照都市传说给自己的手机打了电话,并连念三遍“小智”,希望解开心中疑惑,谁知此后却被小智缠上;凶手是谁:看似阴沉的派遣职员熊谷(北乃纪伊 饰)自称能够看到别人看不到的真相,她的上司三泽健太(草剪刚 饰)起初并不相信,但接连的事实让他大为震惊;诱惑的森林:小葵(岛崎遥香 饰)和朋友结菜(广濑爱丽丝 饰)去山里游玩,山中一间老旧的厕所却带给她们最恐怖的回忆;把手给我:勤奋的OL泷本理沙(桐谷美玲 饰)不知何时与同学兼同事的好友雅美(菜菜绪 饰)关系变差,压力巨大的她发现每晚都有一只手紧紧抓住她的胳膊;出租车司机的自述:老实的出租车司机中川(坂上忍 饰)在晚上载了一位要去很远地方的女客人,但是这位客人竟是如此沉默;黑暗中的视觉:人过中年的森川千寻(黑木瞳 饰)在一家工厂找到工作,拥有天眼的她看到了许多的鬼魂。