荒淫的唇
日本经典影片《痉挛》2004，年届30的自由摄影师木岛实（佐々木ユメカ 饰）与某杂志主编栉田（堀正彦 饰）长期维持着不伦关系。某天，木岛接到一项任务，他须协助杂志编辑樫山慎一（真田幹也 饰）前去采访女性色情漫画家凤蝶（大葉ふゆ 饰）。凤蝶曾经名噪一时，5年前却因不明原因宣布封笔，而如今又决定重操旧业。木岛和慎一的首次采访并不顺利，凤蝶似乎紧闭心门，始终不愿透露关于封笔和复出的原因。采访失败令主编大为恼怒，慎一只得凭借想象去撰写报道，木岛则从当时所拍摄的照片中，急欲窥测凤蝶的内心世界。 之后的采访似乎渐渐步入正轨，而木岛和慎一的关系也越来越近 这部是日本的《痉挛电影》
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害虫2023
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森崎温,向井康二,及川光博,藤原大祐,齐藤京子,逢见亮太,筒井真理子,皮拉维·塔奇沙鹏,查隆拉·诺山荣,普雷瓦·苏坦蓬留存的爱
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左拉传
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歌舞大王齐格飞
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等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
孤雁2026
康磊,李欣颖,宋禹1935年上海中共地下组织遭国民党特务重创，绝密档案危在旦夕。地下党员徐峰、李静临危受命与叛徒、特务展开生死周旋，更要面对昔日兄弟反目的仇怨，历经重重牺牲与考验，最终成功取回绝密档案，完成革命使命。