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尘兔
大卫·达斯马齐连,麦斯·米科尔森,西格妮·韦弗,瑞贝卡·亨德森,希拉·阿蒂姆,索菲·斯隆,Wael Alroyly,Sute Zhao小女孩Aurora(Sloan)去寻求邻居(米科尔森)的帮助：她相信家人被住在自己床底下的一个妖怪吃掉了，而这个邻居恰巧是训练有素的杀手，并且确信Aurora的父母是被一群来杀自己的人给误杀，于是，杀手的第一要务变成了保护小女孩的安全，两人一起上路，并肩面对自身的恶魔。
人工情报
赵寅成,朴正民,朴解浚,申世景韩国国情院特工赵科长，奉命追查跨国犯罪集团，循着牺牲情报员的线索前往俄罗斯符拉迪沃斯托克，意外与朝鲜特工朴健狭路相逢。两人围绕核心情报源蔡善花展开博弈，却同时被各自国家抛弃，被迫在忠诚、背叛与生死之间，联手揭开边境谍战的惊天黑幕。
四人新世界
董骠,吕方,黄韵诗,吴雪雯,秦沛,吴启华,邵国华飞叔移民到加拿大与儿子哈哈一起生活。在飞机上认识了一位来自大陆的黄艳秋，并有意撮合艳秋和哈哈，飞叔与艳秋的姨妈是一对欢喜冤家，艳秋和一个富家花花公子一起，哈哈很沮丧，飞叔鼓励儿子向艳秋表白。哈哈买下一块地，想转头赚钱，但买家临时改变主意，令哈哈欠下一笔钱，飞叔、姨妈、哈哈、艳秋开始了四人新世界……
战刀屠狼2
王天野,景岗山,三浦研一,任悦鸣影片以 1999 年西南边境为背景，聚焦森林公安的热血使命，讲述了森林公安刘钊（王天野 饰）、老赵（景岗山 饰）、王磊（任恺 饰）三人，在一次常规巡山中，意外撞破境外日本间谍头目昂山・介德（三浦研一 饰）带领的境外团伙 窃取我国NSSU血清提取样本机密，暴力劫狱潜逃后，妄图翻越大亮山穿越国境线。从平静巡山到直面穷凶极恶的匪徒，三名森林公安义无反顾开启阻击战，用血肉之躯筑起国境线上的钢铁防线，与身负窃密、贩毒、谋杀多重罪行的犯罪团伙展开一场生死博弈的硬核警匪大战！
狂野时代
易烊千玺,舒淇,赵又廷,李庚希,黄觉,陈永忠,郭沐橙,张志坚,曾美慧孜,闫楠影片讲述“迷魂者”（易烊千玺 饰）通过体验视觉、听觉、味觉、嗅觉、触觉五感，跨越一个世纪的故事。而“大她者”（舒淇 饰）则好似是打开“迷魂者”故事的钥匙......
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.