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剧情提要
墨西哥2013年度无删减完整版凸显忘年恋电影《空虚时光》，墨西哥韦拉克鲁斯荒芜的海岸边，十七岁的塞巴斯蒂安照看着一家叔叔留下来的小旅馆。来到这里的人通常只住上几个小时。塞巴斯蒂安大部分时间都无所事事，他与一个老顾客米兰达交上了朋友。米兰达总是在这家旅馆等待她的情人，而对方常常不出现。塞巴斯蒂安与米兰达渐渐了解彼此，在他们之间开始了一场暧昧的诱惑游戏。
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好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster