抬头见喜

7.2 播放:18万 2026-05-01

影片聚焦于中年危机、家庭责任、老人关爱、子女教育等热门话题,分别讲述了企业职员中年下岗不向命运低头励志创业;大宝闺女反对二宝寄养,与长辈斗智斗勇“赢”回弟弟;外孙利用元宇宙科技让姥爷与已故姥姥再次相逢;幼稚富二代在乡村接受命运改造,结交真情找到人生价值。

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时速二十五

拉斯·艾丁格,比亚内·梅德尔,桑德拉·惠勒,弗朗卡·波滕特,亚历山德拉·玛丽亚·拉娜,杰拉·哈斯,耶迪斯·特里贝尔,沃坦·维尔克·默林,库尔德·伯格,马丁·布拉姆马赫,卡罗琳·贝尔,德克·赫尔比格,马吕斯·胡贝尔,马太乌兹·科西基维奇,马蒂·克劳斯,安德烈·梅利塔

  許久不見的克里斯提安(43歲)與吉奧(45歲),終於在他們父親的葬禮上重逢。個性截然不同的兄弟難得聚在一起,在守靈夜酒酣耳熱之際,臨時起意決定去實現小時候的夢想-騎著電動自行車進行一趟從黑森林到波羅的海、橫越整片德國的冒險旅程。在這段時速最高僅25公里的漫活旅程中,兩人經歷了許多意想不到的遭遇,也重新認識了彼此,甚至改變了他們往後的人生。

为了所有的女孩

埃里卡·韦塞尔斯,Hlubi Mboya,Leshego Molokwane,Nomvelo Makhanya,德翁·洛茨,莫苏西·麦格诺,Brendon Daniels,J.P. du Plessis,Lizz Meiring,Rafiq Jajbhay,Masasa Mbangeni,本·克鲁格,Tamarin du Toit,Marcus Mabusela,Cindy Swanepoel,马特·斯特恩

 一名探员和一名连环杀手组成了看似不可思议的小分队,共同对抗全球拐卖儿童和性奴贩运网络。

狼蛛

约翰·艾加尔,里奥.G.卡罗尔,克林特·伊斯特伍德

  本片是美国50年代一部优秀的科幻片。导演Jack Arnold运用特效,让一只小小的蜘蛛在银屏上变成一只体形庞大的塔兰图拉毒蛛。影片中的塔兰图拉毒蛛是一只十分可怕的怪兽,它四处破坏,但始终免不了灭亡的命运。  经典科幻片,强烈推荐!

七年很痒

刘青云,应采儿,刘嘉玲,安志杰,蒋怡

  Golf Club经理潘致文(刘青云饰)与老婆张美瑛(蒋怡饰)结婚将近七年,生活平淡、枯燥,虽然他渴望着过过“放荡的新生活”,但是天性胆小,只敢说不敢做,基本上是一个善良的小男人。  这一次美瑛要去外地旅行,潘致文觉得这是个大好机会,于是决定趁这个“婚姻大假”找寻一些刺激。抚慰自己强压六年多的欲海。  夜晚在PUB中,致文就邂逅了冶艳少女赵静(应采儿饰),令到他心痒难忍。正当致文准备向阿静展开攻势的时候,却在相处中了解到她原来身世相当凄惨,放荡的行为只是因为孤寂的逆反,致文怜悯之心大增,无奈中不得不放弃了占有的欲念。  而与此同时,致文又遇上了自己的初恋情人张采冰(刘嘉玲饰),已经成为事业女性的阿冰目前生活无忧,身边男伴无数,并且和一个健身教练WIL(安志杰饰)关系暧昧。但是外表热情似火的她对于致文依旧念念不忘,致文立刻与冰重燃了爱火,但同时也觉得对妻子心存愧疚。然而此时此刻家庭的危机也渐渐发生了出人意料的变化……

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

英宫艳史

查尔斯·劳顿,罗伯特·多纳特,富兰克林·迪亚尔,迈尔斯·曼德,劳伦斯·汉雷

 故事开始于十六世纪初,因为皇后凯瑟琳(宾妮·巴尼斯 Binnie Barnes 饰)无法生育,英国国王亨利八世(查尔斯·劳顿 Charles Laughton 饰)同她离婚,另娶了名为恩尼(梅尔·奥勃朗 Merle Oberon 饰)的女子为皇后,哪知道野心勃勃的恩尼整天盘算着推翻丈夫的统治自立为王,当她的阴谋败露之后,亨利八世亲手将她送上了断头台。恩尼死后,亨利八世娶了奇恩(温迪·巴里 Wendy Barrie 饰)为妻,哪知道在生产时,奇恩因为难产而死,只留下了一个可怜的婴儿威尔斯(迈尔斯·曼德 Miles Mander 饰)。之后,大臣们想要国王迎娶德国公主,可这一次,国王驳回了大臣们的请求。