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炽爱
卡特琳娜·格兰厄姆,梅里特·帕特森,塞巴斯蒂安·罗奇,王卡帝,Roger Cross,Aren Buchholz,Kayla Wallace,大卫·刘易斯,Andres Collantes,Chris Cope捍卫机密
基努·里维斯,迪娜·迈耶,北野武再一英里
瑞安·菲利普,艾米丽·霍菲尔,莎拉·坎宁,Sage Linder,贝薇莉·埃利奥特,菲尔·伯克,加布里埃尔·哈辛托,C·托马斯·豪威尔,乔纳森·怀特赛尔,裘德·威尔逊,加菲尔德·威尔逊,Keana Velsen,西蒙·钱,威廉·威尔德,Loreen Regnander,Parveen Dosanjh,Elliot Drew,安德鲁·科兰特斯,Tommy Europe,Karina Frislev巨洪
金多美,朴海秀,权恩成,金圭娜,金炳南,李东灿,金秀京,全俞娜,金敏贵,郑敏俊,全慧珍,朴炳垠,李学周星辰之怒
杰克·麦克维,安德里亚·提瓦塔,Elijah Rowen,奥塔尔·萨拉利兹,Weronika Lesiak,Jord Knotter,Malgorzata Klara,Mayu Gralinska-Sakai,Sylwia Sokolowska,Monika Gieron恐影档案
Thomas Dekker,Robert Englund,Fiona Dourif人气佳作
炸掉银行经理
路易斯·托萨尔,戈雅·托莱多,哈维尔·古铁雷斯,埃尔薇拉·明戈斯,费尔南多·卡约,里卡多·德巴雷罗竞时出击
王韬,魏小欢,江佳桐,李江瑶靶场
凯莉·康奈尔,史蒂芬妮·皮尔森,罗德·埃尔南德斯,安东尼·科洛,阿莱克萨·伊姆斯,杰森·托比亚斯,Aion Boyd,Eric Matuschek,Ikumi Yoshimatsu,Hana Burson,Chris Powell,Graham Skipper,Nick Burson,Emory Lawrence爆水管
彭于晏,艾伦,周游,闫佩伦,杨皓宇,蒋雪鸣,付航,潘斌龙,卜钰,张琪,黄炎,徐东,杨朕,杨晨汐,周彦辰,刘亦淳,普雷姆·亚达夫,景瓷,艾然导演精选
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
冰球小子
一名过气冰上曲棍球教练，在麻州小镇中领导一队二流球队辗转作战，终于在最后一场比赛中挽回他失落的名声。这是一部拍得相当直率粗暴的男性化运动片，冰上曲棍球的比赛场面经常可见互殴和流血镜头，加上对白的"四字经"不绝于耳，当年首映时也引起了不少争论。曾经合作过金像奖电影《刺激：骗中骗》的导演乔治·莱希尔和明星保罗·纽曼，再一次表现出卖力的成绩。
得墨忒耳号的最后航程
在《吸血鬼德古拉》小说原作者布莱姆·斯托克笔下的一章“船长日志”中，“得墨忒尔”是把德古拉从特兰西瓦尼亚运到伦敦的船的名字——这艘俄国帆船运送着50个没有标记的大木箱出发，而此后在英国海岸线上搁浅，破破烂烂，全船仅存一个疯癫的幸存者。本片的故事将详细聚焦得墨忒耳号的那趟可怕旅程：某神秘的乘客把船员们一个接一个屠杀。