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哈姆奈特
杰西·巴克利,保罗·麦斯卡,乔·阿尔文,艾米丽·沃森,诺亚·尤佩,雅各比·尤佩,大卫·威尔莫特,弗蕾娅·汉南-米尔斯,萨姆·伍尔夫,劳拉·盖斯特,奥利维娅·莱恩斯,博德希·蕾·布里纳希,菲丝·德拉尼,杰克·沙鲁,艾略特·巴克斯特,扎克·威沙特,赫拉·吉布森,伊娃·威莎特影片改编自同名畅销小说，讲述启发莎士比亚最伟大的作品背后，那段不为人知的传奇爱情故事。 威廉·莎士比亚（保罗·麦斯卡 Paul Mescal 饰）和妻子艾格尼丝（杰西·巴克利 Jessie Buckley 饰）11岁的儿子哈姆奈特染疫亡故，4年后莎士比亚以此为灵感，写出了后世传颂的《哈姆雷特》。
惊爆魔盗团
祖尔·阿里芬,Sharnaaz Ahmad,Amelia Henderson,Nadhir Nasar,郑斌辉,Yasmin Hani,吕杨,米勒·可汗,Elvina Mohamad,G Theebaan,Anas Ridzuan,Wan Raja,Mustaqim Bahadon,Aanantha Rajaram,Shamini Shradha,Alicia Amin,陈沛江,Sherry Al JeffryA skilled magician recruits an unlikely team for a daring heist to acquire a valuable gem. As they navigate their intertwined histories and escalating stakes, they must master deception, confront vulnerabilities.
健听女孩
艾米莉亚·琼斯,特洛伊·科特苏尔,玛丽·玛特琳,丹尼尔·杜兰特,欧赫尼奥·德尔维斯,福迪亚·瓦尔什-匹罗,艾米·福赛思,凯文·查普曼,约翰·菲奥里,朗尼·法默,科特兰·琼斯,莫莉·贝丝·托马斯,阿雅娜·布朗,杰森·普加奇,基亚娜·法内,安尼莉·利斯特,史蒂芬·卡利斯坎,何塞·冈斯·阿尔维斯,欧文·伯克,梅利莎·麦克米金,埃里卡·麦克德莫特,玛丽·安·绍布,莎拉·克拉克,大卫·纽森,大卫·布肯德尔,理查德·钱德勒,罗布·勒维克,琪拉·皮查多美丽的高中女孩露比·罗西（艾米莉亚·琼斯 Emilia Jones 饰）出生于一个极不寻常的渔民家庭，她的父母和哥哥天生聋哑，只能通过手语交流。而健康无恙的露比既是幸运的，却也是不幸的。她担任了家人和外界交流沟通的桥梁，为此承受了诸多的歧视和嘲笑。这期间，只有好闺蜜戈蒂（艾米·福赛思 Amy Forsyth 饰）是她最坚定的支撑。因为喜欢男孩迈尔斯（福迪亚·瓦尔什-匹罗 Ferdia Walsh-Peelo 饰），露比报名参加校合唱团，而天资颖悟的很快得到了负责老师的赏识。在此之后，露比频繁奔波于合唱团和家族之间，她渴望前往伯克利追求音乐梦想，而这势必要和对她无比依赖的原生家庭分隔两地。露比为此深深焦虑……本片根据真实事件改编。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
大地1937
保罗·穆尼,路易丝·赖纳,沃尔特·康诺利,蒂莉·洛施,查利· 格雷普韦恩,杰茜·拉尔夫,杨秀,陆锡麒,罗兰·郭,Suzanna Kim,李清华,Harold Huber,奥拉夫·许滕,William Law,黄柳霜,安必立,Philson Ahn,Chester Gan,Betty Soo Hoo,James B. Leong,Bessie Loo,理查德·洛,Clarence Lung,阿瑟·马克斯,查尔斯·米德尔顿,Miki Morita,Layne Tom Jr.,甘岱棠,Sammee Tong,I改编自赛珍珠的普立兹奖小说，是好莱坞在三十年代开始注意东方题材的代表性作品。影片虽是描写中国农村夫妇的悲剧故事，但主角均由美国人扮演，导演悉尼．弗兰克林也采取西方古典电影的风格来处理，在制作上相当严谨认真。剧情描写保罗．茂尼与路易丝．莱娜本来是贫困的农民，面对饥荒的威胁甚至以烤土充饥。后来茂尼得到了一笔财富，竟整天花天酒地迷恋情妇，莱娜只有发挥贤妻的耐性期待丈夫浪子回头。今天看来类似故事已显得老套，但本片的拍摄与特技表现杰出，路易丝．莱娜亦获得奥斯卡最佳女主角奖。
鬼眨眼
Rachel Armiger,Alexandria Benford,Ashleigh Coffelt,Alyssa Dalgleish,Parker Damm,Sterritt David,Eileen del Valle,Reed DeLisle,Consuelo M. Edwards,Jaime Horrigan,Kenny Johnson,Mike Jones,Seth Adam Kallick,Matt Lake,Erik Kristopher Myers,艾德亚多·桑奇兹,盖文·约克A filmmaker discovers a box of video tapes depicting two students' disturbing film project featuring a local horror legend, The Peeping Tom. As he sets out to prove this story is real and release it as a work of his own, he loses himself and the film crew following him into his project.