卑弥呼

★ 9.5 播放:72万 更新:2026-04-29

这部妖异的cult片和筱田之前正经的古装片简直两个维度。武满彻实验又不失传统的音乐令人难忘。岩下志麻(导演大人的老婆)从小津里面清纯女孩转变成神经兮兮的神婆大婶。太阳族人造型服饰发型有点雷人,有点像哪咤。   

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剧情简介

这部妖异的cult片和筱田之前正经的古装片简直两个维度。武满彻实验又不失传统的音乐令人难忘。岩下志麻(导演大人的老婆)从小津里面清纯女孩转变成神经兮兮的神婆大婶。太阳族人造型服饰发型有点雷人,有点像哪咤。   

导演精选

坐白车的女人

此剧是以三位女人为中心展开的悬疑惊悚剧。                                                                        郑丽媛剧中饰演浑身是血,打开案件中心的主人公都京一角,她比谁都隐藏着沉重的秘密。

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

乐开怀

  克莱尔(米歇尔·菲佛 饰)组织了一次特别的圣诞郊游活动,而她的家人却在忙碌中将她遗忘。当他们意识到错误时,她已经失踪了。他们的圣诞节岌岌可危,但克莱尔另有打算。