君子好逑2
时装设计师秀妍(首尔孝珠)是一个有吸引力的人才以及性感的女人总是工作,并对婚姻不在乎。然后有一天,她提出了她的男朋友,她太坪(Baek暂无内容GEON植),共同生活在一个合同。她写下了一个契约,涉及的事实,他们睡在一起,每周一次的条件。然后有一天,允民宇,一个有钱的财阀曾经是秀妍的男友,出现了,他告诉她他想重新开始与她。她隐藏的事实,她是太坪和日期的民宇的生活。太坪很快感觉有事时,秀妍开始晚回家而拒绝爱。不久之后,秀妍打破了太坪,问民宇娶她,但她不禁感到缺少什么
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剧情提要
时装设计师秀妍(首尔孝珠)是一个有吸引力的人才以及性感的女人总是工作,并对婚姻不在乎。然后有一天,她提出了她的男朋友,她太坪(Baek暂无内容GEON植),共同生活在一个合同。她写下了一个契约,涉及的事实,他们睡在一起,每周一次的条件。然后有一天,允民宇,一个有钱的财阀曾经是秀妍的男友,出现了,他告诉她他想重新开始与她。她隐藏的事实,她是太坪和日期的民宇的生活。太坪很快感觉有事时,秀妍开始晚回家而拒绝爱。不久之后,秀妍打破了太坪,问民宇娶她,但她不禁感到缺少什么
暗夜精选
十三
杰森·斯坦森,米基·洛克,雷·温斯顿,萨姆·赖利,50分,爱丽丝·巴雷特,盖比·霍夫曼,斯蒂芬·比奇,埃曼纽尔·施莱琪,小迈克尔·贝瑞,斯塔拉·本福德,黛西·塔汉,卡洛斯·雷格-普拉扎,福雷斯特·格里芬,艾德·伯格托德,大卫·札亚斯,查克·齐托,安东尼·奇泽姆,阿伦·戴维森,斯蒂芬·格维顿,道格·托雷斯,亚历山大·斯卡斯加德,约瑟夫·德博纳,本·戈扎那,罗纳德·格特曼,约翰·贝德福德·劳埃德,帖木儿·巴布鲁阿尼,拉尔斯·格哈德,迈克尔·珊农,唐·弗莱,克里斯·麦金尼,弗兰克·赛格,约翰·菲奥里,韦恩·杜瓦现钞风暴
格雷厄姆·沃尔夫,蕾切尔·尼尔森,Rachel Aspen超渡
王欣,陈立谦,张嘉殷,李子昭劫车王
佐伊·马奇尔,弗兰克·盖思堂彼得,Bosh,Chilla,Alassane Diong,Disiz La Peste,Hafid F. Benamar,科林·贝茨,米兰妮·让帕诺米,Zoé Diowo-Ceccaldi,Florence Fauquet,乔纳森·德缪杰,阿利克斯·贝纳泽什,帕斯卡尔·艾尔索,Eva Windstein,Agnès Godey,Erwan Szejnok,Azad Boutella,Wendy Grenier,Noémie Desbordes蛛仙
孙艺宁,李砚,高广泽,潘严,刘锡明鱼刺2025
黄婧仪,柴烨,陈佳宁,黄渲文,王一楠,陈创,王宏伟西关大屋
娜仁花,邬靖靖,李琦幕后花絮
姐妹董事会
公司高管梅根成立了一个董事会,以改善她妹妹混乱的生活,并与一位心理学教授坠入爱河,后者发现了她强硬的举止。
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster