快乐的小鸡

2.5 播放:78万 更新:2026-04-30

碧生与碧琪为朝街私钟妹,感情甚笃,合称朝街双Big。因生欠下du款,琪请其男友龙代出头,与西洋仔结怨,后琪被西洋仔掳走,生、龙为寻回琪,出生入死,渐生情愫,琪被救回后,发现生、龙关系,与生渐疏远另方面,生结识老差骨麦Sir,成为好友,麦Sir更对生存有父女间的情义。麦Sir数度追捕龙,均被上司靓Sir阻止,却原来龙乃卧底,直属于靓Sir,后靓Sir被西洋仔所杀,龙被麦Sir苦苦追缉,无从证实自己身份。西洋仔因私窦被捣,掳走麦Sir儿子小杰,逼麦Sir替其杀死龙,危急中,困于麻袋中的生脱缚扑出,一个血人扑向西洋仔   

即刻观影

剧情赏析

碧生与碧琪为朝街私钟妹,感情甚笃,合称朝街双Big。因生欠下du款,琪请其男友龙代出头,与西洋仔结怨,后琪被西洋仔掳走,生、龙为寻回琪,出生入死,渐生情愫,琪被救回后,发现生、龙关系,与生渐疏远另方面,生结识老差骨麦Sir,成为好友,麦Sir更对生存有父女间的情义。麦Sir数度追捕龙,均被上司靓Sir阻止,却原来龙乃卧底,直属于靓Sir,后靓Sir被西洋仔所杀,龙被麦Sir苦苦追缉,无从证实自己身份。西洋仔因私窦被捣,掳走麦Sir儿子小杰,逼麦Sir替其杀死龙,危急中,困于麻袋中的生脱缚扑出,一个血人扑向西洋仔   

编辑推荐

心碎往事

安东·叶利钦,罗宾·威廉姆斯,蒂娅·里欧妮,埃里卡·巴杜,大卫·杜楚尼,弗兰克·兰格拉,泽尔妲·威廉斯,玛吉丽·阿马蒂,奥加·索斯诺夫斯卡,奥兰多·琼斯,Bernie Sheredy,斯蒂芬·斯皮内拉,爱丽丝·德拉蒙德,哈罗德·卡蒂耶,马克·马戈利斯

  父亲的突然去世让汤米(安东·尤金 Anton Yelchin 饰)一家人陷入了混乱,家庭无人照料一片狼藉,母亲终日哭泣郁郁寡欢,就在这样一种糟糕的情况下,汤米迎来了自己躁动又不安的青春,无处发泄的他只能通过调皮捣蛋来纾解心中的积怨。辍学后的汤米在一家熟食店打工,负责送货。  汤米和朋友帕鲁帕斯(罗宾·威廉斯 Robin Williams 饰)成天厮混在一起,帕鲁帕斯是一个外表成熟但心智幼稚的“大龄儿童”,两人之间的感情真挚又深厚。一次意外中,汤米结识了妓女蕾蒂(Erykah Badu 饰),后者带领他进入了成年人的世界,享受了爱情的甜蜜与苦涩。一场意外的发生摧毁了汤米自由的生活,它不仅终结了汤米的现在,也波及到了他的未来。

乐开怀

米歇尔·菲佛,菲丽希缇·琼斯,科洛·葛蕾丝·莫瑞兹,伊娃·朗格利亚,詹森·舒瓦兹曼,丹妮尔·布鲁克斯,茉德·阿帕图,丹尼斯·利瑞,多米尼克·塞萨,陈冲,哈瓦娜·罗丝·刘,黛芙芮·雅各,海蒂·纳赛尔,塞尔吉奥·杜克,伊桑·科斯塔尼拉,赛迪·司各特,Rashal James,杰西贾姆斯·洛科里埃,罗克茜·里韦拉,Audrey Hui

  克莱尔(米歇尔·菲佛 饰)组织了一次特别的圣诞郊游活动,而她的家人却在忙碌中将她遗忘。当他们意识到错误时,她已经失踪了。他们的圣诞节岌岌可危,但克莱尔另有打算。

大内医探

张举举,赵静沛,胡艺潇,吴悦菡

  一名娘娘腔小太监,华丽丽变身男子汉的嬉笑之旅! 大内丹药总管贾公公的助手、后宫人气王——太监小权,遇上了心上人,开始研究如何还原男儿之身,重拾男子气概!不料研究之路布满荆棘,小权在研究丹药的过程中,不小心撞破一场惊天大阴谋!后宫黑幕重重,为了能挽救无辜、和喜欢的人在一起,小权决定奋起反击,揭露黑暗!且看太监小权大显身手,在后宫掀起波澜!

误人子弟

林海峰,黄秋生,徐子淇,张达明,伍咏薇,叶广俭,兰茜

  阿林(林海峰 饰)一直以来都梦想着能够手执教鞭站上讲台成为教书育人的老师。如今,他的理想终于成为了现实,可是直到此时,他才发现,现实是如此的枯燥和残酷。阿林每日要面对的是调皮的学生和机械化的教学任务,没过多久,阿林的热忱和理想就完全的被磨灭了。  阿黄(黄秋生 饰)是阿林的同事兼好友,身为单身爸爸的他和五岁的儿子过着相依为命的生活。某日,学校里新调来了漂亮开朗的李老师(徐子淇 饰),李老师的出现让阿林和阿黄在苍白的生活里看到了新的色彩。阿林和阿黄同时喜欢上了李老师,但得知了阿黄的心意,阿林决定默默的退出。

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

请求救援

瑞秋·麦克亚当斯,迪伦·奥布莱恩,布鲁斯·坎贝尔,丹尼斯·海斯伯特,泽维尔·塞缪尔,吴育刚,艾玛·雷米,Edyll Ismail,塔内·瓦拉库努娄,布拉德·弗莱特

 当求生变成猎杀,谁会是最终的幸存者?两名同事在飞机失事后,成为唯一幸存者并困在荒岛上。他们必须放下过往恩怨、共同求生,但最终演变成一场不安又黑色幽默的意志与智慧对决……