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无处释放我
杰瑞米·艾伦·怀特,杰瑞米·斯特朗,保罗·沃尔特·豪泽,斯蒂芬·格拉汉姆,奥黛莎·杨,马克·马龙,盖比·霍夫曼,大卫·克朗姆霍茨,格蕾丝·古默,哈里森·吉尔伯特森,约翰尼·坎尼扎罗,琳恩·A·弗里德曼,斯蒂芬·辛格,伊万·阿马罗·布隆,莎拉·斯洛博达,克里斯托弗·杰伊姆斯,格雷格·普朗科,克雷格·杰拉蒂,阿拉贝拉·奥利维娅·克拉克,洛蕾娜·奥斯塔急冻奇侠
元彪,元华,张曼玉,林聪,吴志雄,黄耀明 Anthony Wong Yiu,黎燕姗,徐锦江,元奎,王晶超重警官
Sarun Cinsuvapala,Nutjaree Horvejkul,Somyos Matures,Supavitch Nepremwattana,Pramote Pathan,Suphachai Subprasert怪物惊魂
碧帕莎·芭素,Imran Abbas,Bikramjeet Singh,Deepraj Rana,Mukul Dev丢失的彩票
翁拉维·那提通,芬蒂拉·皮皮亚克隆,娜帕帕·丹特拉库尔,苏提拉克·素维杰拉全面开战：兄弟会
纳鲁纳·科斯塔,Camilla Damião,大卫·桑托斯,艾尔兹奥·维埃拉,Enio Cavalcante,艾米拉·盖德斯,Lee Taylor,马西莉亚·卡尔塔舒,塞乌·乔奇,史蒂法尼·莫塔,Samurai Cria同类精选
影视排行
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
索蕾：来自未来的妻子
希拉·达拉·艾莎,迪翁·维约科,David GojkovicSore从未来穿越回过去，只为改写她丈夫Jonathan的命运。但命运从不轻易让步——当过去、现在与未来交织，她与Jonathan的爱情也陷入无法逃脱的时间迷宫。
金发
岩田刚典,白鸟玉季,门胁麦,山田真步,田村健太郎,内田慈本作の主人公は、大人になりきれない30歳の公立中学校教師・市川。彼が担任を受け持つクラスの生徒数十人が校則への抗議として髪を金色に染めて登校し、学校中が大騒ぎになるさまが描かれる。
我们很危险
埃拉娜·詹姆斯,瑞玛·特·维塔,Nathalie Morris西南偏南电影节剧情片竞赛。 Nellie and Daisy attempt to escape the institution for delinquent girls in 1954 New Zealand, however not only are they caught, it triggers a relocation to a facility on a remote island. The duo become a trio as well-to-do Lou joins them, and life on the island takes shape under the command of devout Matron. The trio rail against the system, dubious of the benevolence of the bible and taking refuge in their blossoming friendship. It’s hard to reform girls who don’t believe they need reforming. However, a sense of doom settles in when experimental forms of punishment take place in the dead of night. Nellie and Daisy plot rebellion, but unexpectedly find themselves at odds with Lou, who is afraid to break the rules.