禁宮奇女

5.5 播放:03万 2026-04-27

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绝种好男人

任贤齐,张柏芝,李珊珊,葛民辉,杜汶泽,黄浩然,王天林,森美,阮小仪,刘恺威,李思捷,李枫,张文慈,黄泆潼,吴慧冰,黄琛如,王晶,张仕铿,李霆锋,何肇晃,黄卡娜,发烂渣,吴成达,杨嘉雯,高宝云,文诗琪,叶景文,董伟强,陆剑青,李正津

  因忍受不了男友Moses(任贤齐)的平凡,阿Mi狠心与他分手,塞翁失马焉知祸福,Moses在老人院做义工时,与怪脾气老头蛤蚧王成为忘年之交,后者死后,给他留下巨额遗产。蛤蚧王的此举招致其律师Allen的不满,他在夜总会发泄时无意中将此事告诉了小姐Didi(张柏芝)。  为将Moses钓到手,Didi使出浑身解数,无奈均不奏效。发现Moses是绝种好男人后,Didi对他动了真心,两人开始热恋,不久,Allen将Didi的原来身份相告Moses,令他异常伤心,此时,阿Mi又前来要与他复合。

禁地大战

彼得·斯特劳斯,莫利·林沃德,埃涅·赫德森,安德莉亚·马尔科维奇,哈罗德·雷米斯

  三个女人所驾驶的宇宙飞船发生问题,紧急降落在银河系中一个名为「大地11号」的星球上,没想到,该星球受到致命疾病肆虐,三个女人因此被当地的独裁者麦纳布(莫利.林沃德 饰)挟持。此时,「宇宙 猎人 」渥夫(彼得.史特罗斯 饰)驾驶着他的救援船展开行动,一路上他碰到了许多危急的状况,还好都在 千钧一发 之际安全脱身。随着危机 一一 的化解,渥夫与独裁者麦纳布面对面的时刻越来越接近......他是否能对抗这群邪恶的外星小怪物,将三名美女从禁地星球中救出来呢?此片不但有紧凑的动作场面、独特的场景设计、创意十足的声音特效,3D三维效果更使其生动逼真......

小城犯罪

奥克塔维亚·斯宾瑟,约翰·浩克斯,凯蒂·洛茨,詹姆斯·拉夫尔提,小克利夫顿·克林斯,迈克尔·瓦尔坦,安东尼·安德森,丹尼尔·逊亚塔,戴尔·迪奇,罗伯特·福斯特,巴特·约翰逊,亚当·约翰逊,唐·哈维,肖恩·卡里甘

  奥克塔维亚·斯宾瑟将携约翰·浩克斯出演独立惊悚片《小城犯罪》。电影讲述由浩克斯扮演的酗酒前警察偶然发现一具女尸,并不慎将他的家庭至于危险之中,他不得不一边寻找凶手,一边与恶势力作斗争。该片由内尔姆斯兄弟执导,目前正在拍摄中。

机械怪兽

乔治·纳德,Claudia Barrett

  

四封情书

费昂·奥谢,安·斯凯利,皮尔斯·布鲁斯南,海伦娜·伯翰·卡特,加布里埃尔·伯恩

尼古拉斯·考夫兰和伊莎贝尔·戈尔注定要在一起。问题是他们是否会发现。正如鬼魂、命运和真爱的纯粹力量将尼古拉斯和伊莎贝尔拉在一起一样,生活也有可能将他们分开。

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.