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作恶者
Melanie Liburd,Kiah McKirnan,Ireon Roach在她18岁生日那天，坚强的女孩乔尼吃了一个由她的阿姨根据一个神奇的家庭食谱烤的蛋糕，并经历了一个彻底的变形。随着几个同学失踪，一个血腥的成长故事发生了。
扬帆
贝蒂·戴维斯,保罗·亨雷德,克劳德·雷恩斯,格拉黛丝·库珀夏洛特（贝蒂·戴维斯 Bette Davis 饰）已经能算得上是一个老姑娘了，她梳着呆板的发型，穿着保守的服装，性格也古里古怪的，更糟糕的是，她似乎还染上了酗酒的坏毛病。在家人的建议之下，夏洛特决定踏上治疗心灵的旅途，登上了驶往远方的游轮。在游轮上，夏洛特邂逅了名为杰瑞（保罗·亨雷德 Paul Henreid 饰）的男子，并且在误打误撞之中和杰瑞的女儿结下了深厚的友谊。很快，夏洛特就感到自己坠入了情网之中，然而，此时的杰瑞并不是自由身，他有这一段无法结束的婚姻。心碎的夏洛特选择了离开，而夏洛特的母亲也在不久之后撒手人寰。
哨兵
迈克尔·帕尔,杰森·R·摩尔,Ellie Patrikios,Denitza Diakovska,Neil Cole,Paolo Mazzini,John Stewart Arnold,Ivan King在外星人入侵几乎灭绝人类的几年后，人类难民在月球上的一个秘密基地，三个英雄决定跳入时间旅行，不顾一切地试图拯救幸存者，但他们不知道哨兵正在等待他们。
不允许带狗
卡洛·克拉姆林,罗宾·桑德曼,卡塔琳娜·玛丽·舒伯特,斯蒂姆拜尔·蒙克,比内塔·汉森,肖恩·道格拉斯,萨米·施赖恩,维拉·菲,丽莎·里斯纳,奥勒·伊斯菲特,理查德·基普,卡塔琳娜·雷,拉尔夫·霍尼克,弗兰茨·费迪南德·克劳斯,卡特娅·乌菲尔曼,芬雷·德亚文十五岁的加博，表面过着平凡简单的青少年生活，背后却隐藏着不可告人的秘密—-他恋上好友的弟弟，而弟弟只有八岁！他在网上论坛寻求建议，试图抑制恋童欲望，因而结识了恋少年经验丰富的戴夫。直至戴夫因涉嫌侵犯未成年少年受到警方调查，加博终于不得不面对一场自我审问：他到底是受害人，还是施害者？改编自真实事件，来自德国的史蒂夫.巴赫大胆直面禁忌话题，以敏锐成熟的笔触，探问生活与社会规范怎样塑造了今时今日的我们。
瑞奇·热维斯：人生苦短
瑞奇·热维斯瑞奇·热维斯宣布自己的最新个人单口喜剧 Mortality 将在2024年底开始全球巡演。
勾魂谷
杰米·贝尔,Kris Marshall,Matthew Rhys,Andy Serkis,Hans Matheson故事发生在第一次世界大战期间，英国联军和德军之间的战况日渐白热化，每天都有无数的士兵们含恨死去，年仅十六岁的莎士比亚（杰米·贝尔 Jamie Bell 饰）亦参与了这场战争，战场上伤痕累累的惨状给他的心灵蒙上了厚厚的阴影。 某日，莎士比亚和一干战友们正在进行一项突袭任务，就在大家凝神鼻息偷偷前进之时，一股不知从何而来的神秘烟雾将他们包围。之后，一行人来到了德军的战壕内，然而这里了无生气，有的只是一具具死相及其恐怖的尸体。这里究竟发生了什么？莎士比亚所在的连队继续前进，诡异的事情不断发生，连队中亦不断的有人丧命，莎士比亚隐约觉得，在前方等待着他们的正是地狱的入口。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.