孩子们的秘密
90分钟完整海外最清晰一手版本。别名:Segrete esperienze di Luca e Fanny, Le (1980) 卢卡到达度过一个夏天,他的父母和妹妹,范妮,他们在巴黎以外的海边别墅。一切都照顾两个性感女佣(碧姬Lahaie只知道为;XNK1905 ;的黑人女星在欧洲女孩的大人电影数据库)。不明就里的房子的主人,他的两个青春期的孩子发现性也从女佣的帮助。 女佣后享受他们下午关闭(在这里插入x愛场面),卢卡去早睡,这样他就可以偷一些他的姑姑内衣打扮英寸芬妮需要的副本超性别;杂志(意大利色情产品放置有点)从她的床垫下自我解决自己睡觉。卢卡附近的性接触,作为一个年轻的男孩与他的姑姑发生了有背伦理云雨...... 在早晨女佣发现他的黑色丝袜和紧身胸衣,并教他有关性的决定有一些乐趣。为了公平起见,他们做同样的范妮。有了这次经历他的身后,与他的妹妹和一些暧昧,卢卡终于设法完善他的感情,他的姑姑。 这是一个真正的色情和拍摄影片,反映着一个家庭伦理关系的写照。
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养鬼吃人6:死亡代码
迪恩·文特斯,Ashley Laurence,Doug Bradley在"猛鬼追魂"系列的第5集中, 手拿魔方,以"制造悲伤"著称, 有魔力的Pinhead(道格·布拉德利)已经返回,准备再次用他的大批的Cenobites给地球上的人们带来地狱般的恶梦、折磨和死亡。 但是Kirsty科顿·(阿什利·劳伦斯), 唯一已经战胜二次Pinhead的人,回来,准备再一次跟Pinhead 和Cenobites作战。
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西奥·克里斯廷,索菲娅·勒萨弗尔,杰罗姆·尼尔,丽莎·尼亚科,费尼肯·欧菲尔德,Marie-Philomène Nga,马哈玛德·桑伽勒,阿卜杜拉·蒙迪,Ike Zacsongo,埃马纽埃尔·博纳米,Xing Xing Cheng,Samir Nait,Malik Amraoui,Lehcem Mahidi,Nasser Mehal,Abdelkader Bounoir,Karim Daoues,Christine Kay,斯蒂芬·马拉瑟内,Aicha Ameddah孤独青年在住宅大楼自设昆虫馆,把各种昆虫和爬虫类视为宠物,蝎子蜈蚣爱不释手。新宠儿是一只外来蜘蛛,暂时给它一个安乐窝,只是掌上明蛛求生欲强,它要逃离禁室,不断繁衍。后代变种夺命巨蛛,大楼到处结满蛛网,居民陷入一片恐慌。基于公众安全理由,警方封锁现场所有出口,死里逃生更是难上加难。凡尼切克首部长片,直视无孔不入的致命威胁,触及社会的阶级歧视,勾起封城恐惧,善用特效与场景空间,拍出令人毛骨悚然血压狂飚的蛛杀危机。
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耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.