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娜塔莉·多默尔,艾米丽·拉塔科斯基,艾德·斯克林,乔莉·理查德森,詹姆斯·科兹莫,尼尔·马斯克尔,安珀·安德森,扬·贝弗特,贝恩·科拉科,莱克茜·本博-哈特,金·阿迪斯,丹尼尔·厄根,Chelsea O'Connor,雷纳斯·拉特科夫斯基,奥莱加·费多罗地球浩劫
肖恩·康纳利,娜塔莉·伍德,卡尔·莫尔登双生2022
泰莉莎·帕尔墨,史蒂芬·克里,芭芭拉·马滕,Tristan Ruggeri,Ergo Küppas死亡修女
阿瑞亚·贝得玛,阿尔穆德纳·阿莫尔,Maru Valdivielso,Luisa Merelas,Chelo Vivares,Pablo Guisa Koestinger,康斯薇洛·特鲁希略,Daniela Casas,Olimpia Roch,Sara Roch,Marina Delgado,Claudia Fernández Arroyo,Adriana Camarena光荣何价
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周元,柳海真,李裕英,刘慧英,李俊赫,金英熊承诺2017
楠迪·宗拉维蒙,安比查雅·松可寒,图恩雅芳·帕塔拉媞拉猜差容,帕尼莎拉·里库苏拉康,Duentem Salitul,本杰明·约瑟夫·瓦尼,素查达·彭帕塔娜苏,Surachai Ningsanond,Teerapop Songwaja,Duangjai Hiransri奥赛罗
谢尔盖·邦达尔丘克,Irina Skobtseva,Andrei Popov地狱无泪
卢克·拜恩斯,格温·范·丹,塔蒂安娜·马尔贾诺维奇,奥德莉·尼尔,加里·卡斯帕,艾瑞克·费洛斯,温·赖克特香烟和热巧克力
古斯塔弗·科文,卡米尔·科坦,Héloïse Dugas,芬妮·贾尼尼一百样东西
弗洛里安·大卫·菲茨,马提亚斯·施维赫夫,米里亚姆·斯坦因,汉内洛勒·埃尔斯纳,卡特琳娜·塔巴赫,约翰尼斯·艾麦亚,马克西米利安·梅耶-布雷泽内德,玛利亚·佛万格勒,沃尔夫冈·斯塔姆普,Sarah Victoria Frick,Artjom Gilz,丹尼尔·弗利格,Milo Eisenblätter,Nora Boeckler影视排行
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
泥娃娃
杨祐宁,蔡思韵,张轩睿,周采诗,郭雪芙,陈为民,李冠毅,高山峰,黄建群泥娃娃,泥娃娃,一個泥娃娃⋯⋯ 童謠的背後,隱藏著神秘驚悚的故事。在遊戲公司工作的旭川(楊祐寧 飾),為開發一項新的恐怖VR遊戲,意外將一尊來自凶宅現場的殘破泥娃娃帶回家,沒想到懷有身孕、身為文物修護師的妻子慕華(蔡思韵 飾)對其產生異常執念,不斷進行修復。隨著家中怪事頻傳,慕華狀態也越來越虛弱,旭川無計可施,輾轉求助通靈驅魔人阿生(張軒睿 飾),而泥娃娃背後深埋的駭人祕密,也隨之浮出水面⋯⋯
超渡
王欣,陈立谦,张嘉殷,李子昭没有任何人气的鬼怪小说作家严冬自命不凡,虽然专写灵异题材,但是却从不相信世上有鬼。他的经纪人兼好友包劲希望他能尽快写出真正恐怖且吸引人的作品,为此和他打赌世上到底有没有鬼。两人来到乡下,在专门为他人做法事的三姐的庵堂住了下来。三姐的徒弟们活泼三八,独有沉默的阿乐不与众人为伍。阿乐自幼拥有天眼,能够看到另一个世界的众生,为了不惹麻烦上身而小心回避他们。另一方面,严冬在包劲和女孩们的帮助下终于见到了鬼,却险些吓破胆,关键时刻多亏阿乐相救。 自此之后他们越来越熟,而见鬼的日子也越来越多,盘桓在人间的众生希望借助他们得到超度……
昭和残侠传:唐狮子仁义
高倉健,藤純子,池部良,待田京介,小林千枝,志村喬風間重吉は花田秀次郎との果たし合いで左腕を失った。出所した秀次郎は林田一家の世話になる。樺島一家は採石の入札をめぐって林田と老舗“浅野屋“を圧迫していた。樺島の客人となった風間は、秀次郎に果たし状を渡すが、女房が凶弾に倒れ、秀次郎とともに死地に向かう。