奸情
本片描述了一个除了丈夫外，可以与任何男人上床的放荡女人。这种现象在以前乃至当今社会都不缺少，是男女关系中永不过时的主题，当七年之痒的时间到来，激情逐步消退回归乏味后，因着喜新厌旧的人性本能，男人和女人都会产生新的追求，而因着婚姻对双方忠诚要求较高的属性，不可避免的产生一些矛盾，这也是婚姻生活的一种尴尬，众人要如何平衡、面对乃至应付，实在是比较大的学问，这也是值得人深思的。整体来说，此片故事性较强，主角容貌不错，由当年在欧洲走红的乌克兰名模新秀安娜.金斯卡娅(AnnaJimskaia)主演 ，丰乳肥臀细腰，符合丁度巴拉斯的选人风格，可以说是其继02年《黑天使》和03年《过错》之后的得力之作.
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剧情提要
本片描述了一个除了丈夫外，可以与任何男人上床的放荡女人。这种现象在以前乃至当今社会都不缺少，是男女关系中永不过时的主题，当七年之痒的时间到来，激情逐步消退回归乏味后，因着喜新厌旧的人性本能，男人和女人都会产生新的追求，而因着婚姻对双方忠诚要求较高的属性，不可避免的产生一些矛盾，这也是婚姻生活的一种尴尬，众人要如何平衡、面对乃至应付，实在是比较大的学问，这也是值得人深思的。整体来说，此片故事性较强，主角容貌不错，由当年在欧洲走红的乌克兰名模新秀安娜.金斯卡娅(AnnaJimskaia)主演 ，丰乳肥臀细腰，符合丁度巴拉斯的选人风格，可以说是其继02年《黑天使》和03年《过错》之后的得力之作.
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.