含苞待放

　　美发师纪阿开（张学友）、服装设计师大眼龙（莫少聪）和风水师赖布丁（周星驰）三个死党合伙开了一家新潮美发店，不料开业当天就与隔壁理发店老板发生争执，幸得店老板女儿亚英（张敏）及时出手风波平息，过程中，三人皆被亚英魅力吸引，为赢其芳心，开始频频登其家门献殷勤。　　某次晚餐聚会后，三人烂醉与亚英误睡一室，导致亚英怀孕，为与亚英一起生活，三人争先恐后将准父亲一职往自己身上揽，又因三人血型相同，医院也无法验出谁在冒名，亚英父母决定先考察三人表现，为争当最佳女婿，三人使尽浑身解数展开激烈角逐。

　　由于宇宙中的两颗彗星正面撞击了地球，致使地表生态遭遇毁灭性打击，造成恶劣后果。全人类不得不躲藏在地堡中求得生存。身为科学家的加里蒂带着一家人劫后余生，幸存了下来。虽然他们躲过了第一波的冲击，但是他们所在的地堡中剩余的生活物资逐渐减少，其他幸存的人类也开始蠢蠢欲动。迫于压力这一家人必须离开格陵兰岛的安全掩体，开始踏上危险的旅程。在这一路上他们无奈的发现，整个欧洲已经被毁灭，变成了冰冻荒地。于是一家人只能再次被迫上路，最终，他们找到了新的栖身之所。

　　20年前，社会主义国家南斯拉夫解体，奉行主义的更迭并未改变东欧这片多灾多难土地的命运。战火持续，人民罹难。时至今日，硝烟仍未从这里散去。卡萝尔（祖儿·费利克斯 Zoé Félix 饰）、马提亚（埃瑞克·萨文 Eric Savin 饰）、萨米尔（Arié Elmaleh 饰）是来自法国的救援小组成员。在完成任务后，他们驱车返回祖国。然而必经之路上有士兵把守，为了不浪费时间，萨米尔建议抄小路前进。这一决定将他们引入一条黑暗之途，行至半路，三人被一群全副武装的不明身份者绑架。在此后的数日内，他们全被关在不见天日的笼子里。　　对于对方的动机卡萝尔他们全然不知，只有无尽的恐惧伴随左右，而死神的脚步也在慢慢逼近……

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster