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屠宰呕吐娃娃
艾梅拉·勒维一个被自己的父母抛弃的女孩的故事，14岁就离家出走的她，被当地的一个牧师收养了。后来她所遇到的人，会给她本来就很悲惨的命运带来怎样的影响呢？对于安吉拉·阿卜迪恩来讲，为了她，他宁愿牺牲自己也要与撒旦达成死亡契约，这样就可以让她灵魂永生，为了报仇，她先去吧那牧师的教堂烧成了焦土，而牧师因为喝多了而死在了教堂里。可是后来，她却在都市的灯红酒绿中染上了毒瘾和酒瘾，殊不知，她的脚已经迈入了地狱之门…从做了艳舞女郎到做妓女，发现毒瘾已让她无法自拔，甚至他觉得撒旦也抛弃了她。
疯癫和尚之再续前缘
雪村,钟夫翔,石洋子影片讲述了阜县妖孽横行，县上的孩子不断离奇失踪，疯癫和尚受命下界驱魔降妖，正巧碰上地府判官钟馗来人间收魂。二人嬉笑怒骂斗嘴斗法，在爆笑不断的接连乌龙中引出了神秘银面人，还结识了美艳绝伦的客栈老板娘和凭借一张嘴就能把人“说死”的怪异书生，牵扯出一段前缘未尽痴缠几世的人狐恋。千年妖狐日日行善却为何屡屡炼鬼？神秘银面人到底是谁？佛、道、妖、魔聚首阜县，一场杀机四起的混战即将开启，疯癫和尚又将如何应对……
最美的岛屿
安娜·阿森西奥,娜塔莎·罗曼诺娃,卡普里切·贝内德蒂,阿米·谢斯,米丽亚姆·A·海曼,萨拉·葳瑟,尼古拉斯·图齐,拉瑞·凡斯登,安娜·迈,戴维·利特尔,娜塔莉亚·兹韦列娃,索里卡·沃尔夫,费内拉·A·丘多巴,布雷特·阿扎尔,奥若拉·汉姆巴赫,玢·罗宾斯,迈克尔·文森特本片根据真实事件改变. 俄罗斯美女露西亚娜入境纽约后, 濒于生活崩溃的边缘, 除了保姆的工作之外, 她还得担任另一份危险的工作: 脱光后, 与世界最具有毒性的蜘蛛共处一隅....
圣诞老人-N：红色觉醒
谢尔比·斯旺森,保罗·A·罗西,小比利·约瑟夫一个偏远小镇被一个披着传统外衣、阴暗扭曲的人物所困扰，他将欢乐化为恐惧。这部心理恐怖小说融合了民间传说、恐惧和生存元素，讲述了一个令人毛骨悚然的全新故事。
战栗驱魔
汉娜·邦·本兹,迪恩·基尔贝,Nicholas AnscombeAn exorcism goes horribly wrong and unleashes a vengeful spirit that has been locked up for centuries.
无垢的证人
唐泽寿明,当真亚美放弃作为人权派律师之路，在大型律师事务所为大企业工作的律师长谷部恭介（唐泽寿明 饰）。出于维护大所体面的方针，他以国选辩护人的身份，接手了一起资产家杀人案中被告家政妇的辩护工作。然而，被告家政妇主张自己无罪，称“我没有杀人，只是在对方试图自杀时想要救她”。 作为检方证人的，是案件唯一的目击者——住在对面的少女小池希美（当真亚美 饰）。长谷部得知希美患有自闭谱系障碍。通过不断前去拜访，他逐渐与她拉近距离、建立信任，但在法庭上，却不得不以证人与辩护人的身份与她正面相对……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.