感官新世界

评分:0.8 播放:76万 更新:2026-04-28

这是发生在昭和11年太平洋战争时,因割除嗳人xing器官逃逸引发震惊日本全国社会的刑事案件改编而成的电影。阿部定14岁时便遭人强暴,而此时医学院学生冈田无微不至的照顾,掳获了她纯真的心,两人编织了一段甜美恋曲,而初尝嗳情味道的阿部定更是深深迷恋上冈田以利刃嗳抚她的她的方式。不幸的是,冈田染上当时的不治之症麻疯病,为不拖累阿部定,冈田选择将恋情结束。几年后,阿部定成为一名红牌艺妓,但与冈田这段嗳恋却不曾从她心鈡抹灭。不久,阿部定认识市议员立花,经由祂的介绍,进入一家料理店工作,龙藏--一个影响她一生的侽人出现在她面前,两颗饥渴的心灵在生命空虚疑惑丅,寄予沈沦于无止尽的xing嗳交欢,藉由肉体的过瘾与满足,达到短暂的快慰,最后阿部定毅然决然地将精神与肉体的嗳,作个了断,永伴身边

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克拉斯·邦,西瑟·巴比特·科努德森,泽维尔·多兰,斯万·阿劳德,米歇尔·富,米沙·莱斯科特,让·迪·弗埃,伊拉莉亚·卡布拉斯,亚历山德罗·布雷萨内罗,塞德里克·阿皮耶托,维比约克·莫林·阿格尔,弗朗索瓦·雷森,奥利弗·马奎特,帕特里克·索贝尔曼,阿克尔·博萨,Jiang Hong Chen,纪尧姆·福雷斯蒂,塞西尔·杜克罗克,奥利维尔·加利安诺,本雅明·克莱里

1982年,法国总统弗朗索瓦·密特朗决定为其任期的旗舰项目——拉德芳斯大拱门发起一场国际建筑竞赛,该项目与卢浮宫和凯旋门对齐。出乎所有人意料,一位在法国鲜为人知的 53 岁丹麦建筑师约翰·奥托·冯·斯普雷克尔森赢得了竞赛。这位建筑师打算完全按照自己的设想建造大拱门,但他的理念很快与实际限制和政治变幻莫测相冲突。这部电影以真实事件为灵感,讲述了这位理想主义的丹麦建筑师如何努力在政治博弈、官僚主义和艺术自由的限制下实现其宏伟愿景的故事。

当邪恶潜伏时

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  一对兄弟在他们的庄园附近发现了一具残缺不全的尸体,于是召集当地人一起调查。他们很快了解到,村子里发生的怪事是由一个恶灵引起的,这个灵魂进入了一个当地人的体内,他们等待着通过适当的程序驱逐他体内溃烂的恶魔。主角们不得不与迫在眉睫的危险赛跑,试图摆脱恶灵无情的魔爪。

总统的蛋糕

Banin Ahmad Nayef,Sajad Mohamad Qasem,Waheed Thabet Khreibat,Rahim AlHaj

人人都中头奖,难道人人都想中头奖?九十年代伊拉克经历军事及经济制裁,独裁者萨达姆无惧动乱,勒令全国为自己庆祝生日。九岁女孩「喜获头奖」成为学校代表,被迫接下为总统炮制生日蛋糕的国家级重任。然而通货膨胀、物资匮乏,鸡蛋面粉都是奢侈品,女孩带着宠物公鸡,从沼泽向城市出发搜罗食材,完成这项国家交给她的任务!首有伊拉克电影进军戛纳,编导借小女孩充满稚气却坚韧的目光,展现伊拉克从未被记录过的一面,献给在战乱下仍能找到爱与友谊的小孩。戛纳电影节金摄像机最佳首作。

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.