牧人的性玩偶

⭐ 8.0 播放:25万 2026-04-27

又名: 无阿尔卑斯牧人的性玩偶传说 这是一部由瑞士导演迈克 middot;施坦纳根据《牧人的人偶》传说执导的惊悚片.在阿尔卑斯高山上孤独的牧人缺乏女性的陪伴,而制作出一个女性人偶来满足需要.这个人偶最终成了活人,开始向折磨她的人进行复仇.《牧人的人偶》被宣传为一个关于悲剧、肉欲、疯狂和谋杀的故事。   

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剧情提要

又名: 无阿尔卑斯牧人的性玩偶传说 这是一部由瑞士导演迈克 middot;施坦纳根据《牧人的人偶》传说执导的惊悚片.在阿尔卑斯高山上孤独的牧人缺乏女性的陪伴,而制作出一个女性人偶来满足需要.这个人偶最终成了活人,开始向折磨她的人进行复仇.《牧人的人偶》被宣传为一个关于悲剧、肉欲、疯狂和谋杀的故事。   

幕后花絮

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

欣德·拉贾布之声

  突尼斯导演考塞尔·本·哈尼亚将把巴勒斯坦六岁女童欣德·拉贾布的悲剧搬上银幕。2024年1月29日,欣德乘坐的车辆在加沙遭以色列军队袭击,她被困车中通过电话绝望求救,12天后被发现与家人一同遇难。影片将追溯这通生死未卜的求救通话背后,一个幼小生命在战争废墟中的最后时刻。