高跟鞋杀姬
As暂无内容a暂无内容string暂无内容of暂无内容brutal暂无内容murders暂无内容plague暂无内容the暂无内容city,暂无内容two暂无内容undercover暂无内容detectives暂无内容race暂无内容to暂无内容solve暂无内容the暂无内容mystery暂无内容and暂无内容unmask暂无内容the暂无内容killer.暂无内容Their暂无内容only暂无内容clues:暂无内容each暂无内容victim暂无内容is暂无内容a暂无内容former暂无内容cop暂无内容and暂无内容each暂无内容has暂无内容a暂无内容blood-red暂无内容letter暂无内容painted暂无内容on暂无内容their暂无内容body.暂无内容How暂无内容many暂无内容will暂无内容have暂无内容to暂无内容die暂无内容before暂无内容the暂无内容killer暂无内容spells暂无内容out暂无内容their暂无内容message暂无内容in暂无内容blood?
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剧情简介
As暂无内容a暂无内容string暂无内容of暂无内容brutal暂无内容murders暂无内容plague暂无内容the暂无内容city,暂无内容two暂无内容undercover暂无内容detectives暂无内容race暂无内容to暂无内容solve暂无内容the暂无内容mystery暂无内容and暂无内容unmask暂无内容the暂无内容killer.暂无内容Their暂无内容only暂无内容clues:暂无内容each暂无内容victim暂无内容is暂无内容a暂无内容former暂无内容cop暂无内容and暂无内容each暂无内容has暂无内容a暂无内容blood-red暂无内容letter暂无内容painted暂无内容on暂无内容their暂无内容body.暂无内容How暂无内容many暂无内容will暂无内容have暂无内容to暂无内容die暂无内容before暂无内容the暂无内容killer暂无内容spells暂无内容out暂无内容their暂无内容message暂无内容in暂无内容blood?
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守护恶魔
故事设定在20世纪90年代末的越南西南部乡村，讲述了年轻女子Lan（Phương Thanh饰）在父亲去世后，前往一位名叫Danh（Mạc Văn Khoa饰）的鳏夫家中担任女佣。她很快发现这座房子隐藏着可怕的秘密：神秘的死亡事件接连发生，村庄中流传着关于“守财灵”的传说——一种通过黑暗仪式召唤的灵体，用于守护财产，但会对陌生人造成致命威胁。Lan与一位名叫Sơn（Quốc Trường饰）的恐怖小说作家联手，试图揭开这些离奇事件背后的真相。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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