醉酒寄宿家庭

巢穴

　　On her final combat mission across the rugged mountains of Afghanistan, Royal Air Force fighter pilot Lt. Kate Sinclair’s jet is shot down over one of the most dangerous rebel strongholds. When insurgents come after her at the crash site, she finds refuge in a long since abandoned underground bunker. After tracking Sinclair into the depths of the bunker, the insurgents accidentally awaken a man-made deadly biological weapon known as the Ravagers - half human, half alien and hungry for human flesh. Terrified, she watches the creatures rip apart the men pursuing her. Sinclair barely escapes and is picked up by a US army patrol sent to find her. Major Roy Finch, commander of the local US army outpost ‘Fort Apache’, and his ragtag squad of brave soldiers have a difficult time believing mutant monsters have been kept hidden in these mountains. Unaware that she has been tracked to their base, dozens of the vicious creatures are already swarming towards them.

巨人来袭

天算不如人算

　　莱尼（安吉丽娜·朱莉 Angelina Jolie 饰）年轻貌美，是电视台的当家花旦，靠着自己的不懈努力，她终于爬到了如今的位置，高薪的工作、舒适的住宅、宽裕的经济条件和英俊帅气的男朋友卡尔（克里斯蒂安·凯恩 Christian Kane 饰），坐拥着这令旁人羡煞的一切，莱尼觉得自己或许就是世界上最幸福的女人。　　在一次采访中，莱尼的采访对象是一位善于占卜和寓言的流浪汉，令莱尼感到惊讶的是，流浪汉竟然寓言自己将会在一周之内死去。流浪汉的寓言点醒了莱尼，她开始思考起自己人生真正的意义。与此同时，一件令莱尼心烦的事情发生了，那就是她必须跟向来不合的摄影师皮特（爱德华·伯恩斯 Edward Burns 饰）一同工作，站在人生的低谷中，莱尼会怎样处理自己和皮特之间的关系呢？

女演员大作战

　　蝴蝶（车艺莲 饰）拥有着美艳的外表，以及和外表完全不相称的蹩脚演技。个性冷酷高傲不懂得配合的她在业界自然口碑极差，随着时间的推移，蝴蝶发现自己已经完全接不到工作了。由青年导演洪镇宇（赵显宰 饰）所导演的情色新片正在举行演员选拔，无奈之下，蝴蝶加入了视镜的队伍中去。　　尽管蝴蝶没有演技，但她却有一颗肯拼的心，为了保住工作不惜答应全裸上镜，可是即便如此，扮演这个角色依旧带给了她极大的挑战。与此同时，风情万种的蝴蝶和青年才俊的导演之间亦碰撞出了热情的火花，面对着或许是自己演艺生涯中最后的机会的蝴蝶，会散发出怎样的光芒呢？

摇摇欲坠

　　一个年轻的女人的丈夫是一个著名的民谣歌手，在丈夫去世后自己一个人过着艰难的生活，然而一个纽约的记者认为她丈夫的死因有鬼，并找上门逼迫她面对她所失去的一切……

嗨，妈妈！

　　In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.　　imdb comment