玉蒲团2之玉女心经
为了让女儿西门柔（李丽珍）避开狂风浪蝶的追求，财主西门坚（徐锦江）命令其作男儿打扮去求学。结识书生花道（骆达华）后，西门柔与之成为好友，但当她的女儿身身份被花道发现后，对方对其展开了拼命追求。西门坚异常好色，为白痴儿子娶到漂亮老婆后，又垂涎儿媳的美色，欲把她纳为妾，不知娶到手的美女原是魔女幻姬（舒淇）的化身。幻姬懂得采阴补阳，暗中把西门坚身边的妾侍一一杀除，更想在最后吸尽西门坚的精华。西门柔与花道企图揭开幻姬的阴谋，一场大战展开。
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暴雨屋
Grant Masters,Patrick Flynn,Grahame Fox宠物坟场2(2023)
杰克逊·怀特,娜塔莉·阿琳·林德,福勒斯特·古德勒克,Isabella LaBlanc,亨利·托马斯,杰克·马赫恩,大卫·杜楚尼,萨曼莎·玛西丝,帕姆·格里尔,克里斯蒂安· 杰达,Steve Love,卡尔·格拉戈萨斯,文森特·莱克莱尔,Glen Gould,马特·霍兰德,泰德·惠托尔,John Boylan,Noah Labranche,Corgand Svendsen,Jude Beny送葬人
道格拉斯·史密斯,卢锡安·拉维斯科特,克雷西达·博纳斯,道格·琼斯,迈克尔·特鲁科,珍娜·凯内尔,埃丽卡·特伦布莱,玛丽莎·埃切维里亚,克利奥·金,费·唐纳薇,凯瑞-安·莫斯,雷·沃纳尔,凯琳·伍黛尔,拉腊·诺克斯,乔纳森·潘内尔,尼古拉斯·萨德勒,玛莎·哈克特,库尔特·岳复仇双雄
奥马尔·查帕罗,亚利桑德罗·斯佩特泽尔,葆拉·努涅斯,娜塔莉亚·索利安,路易斯·阿伯提,Vasil Simeonov,伊阿祖娅·拉里奥斯,Lizeth Selene,古斯塔沃·桑切斯·帕拉,Ana Carrillo,Gaudi Chris,José Salof魔力，魔力
艾米莉·布朗宁,迈克尔·塞拉,朱诺·坦普尔,卡塔琳娜·桑地诺·莫雷诺,阿古斯丁·席尔瓦穷养攻略2
米洛斯·比柯维奇,帕维尔·杰列维扬科,阿格拉娅·塔拉索娃,奥尔加·迪布采娃,玛丽亚·米罗诺娃,伊万·阿赫洛贝斯金,亚历山大·斯莫勒克,索菲娅·扎伊卡,基里尔·纳吉耶夫,Dmitry Belyakin,Olivier Siou,Andrey Malakhov,娜塔莉亚·罗戈日金娜,彼得·布斯洛夫,Viki Odintcova,Sergey Shestepyorov,Sergey Rozhnov,埃利扎维塔·洛托娃,Kseniya Stoyakova,Sergey Gabrielyan同类推荐
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Andrew Boszhardt,艾德里安·恩斯科,切尔西·吉利根,Madison LewisThe bizarre and mysterious suicide of the Wendolyn’s patriarch brings the dysfunctional, pharma family back together. While the family members squabble over their dwindling inheritance, an ancient curse preys on their greed and arrogance. The Wendolyn’s made billions on painkillers, but no drug can kill the pain that they’ll soon endure.
鬼租客
纳查潘·帕拉玛查伦罗,Aew Aumpa Phusit,波似·坡尼皮帕特·库尼嗦,坦恩.基缇男.坎蒙功空理法密昕,马克·纳克塔赫·坎那特桑安,Boom Raweephan Siriwattana一个破产的平面设计师最终租了一个有着恐怖故事和神秘邻居的房间。
午夜之子
雅各布（Zak Kilberg 饰）是一个奇怪的小伙子，他似乎患有一种怪病，这种病令他无法生活在阳光之下，长久以来，雅各布一直都隐藏在黑暗之中，直到有一天他邂逅了一位名为玛丽（Maya Parish 饰）的调酒师，相互吸引的两人很快就坠入了爱河之中。 渐渐的，玛丽察觉到了雅各布异于常人的地方，他的行为举止不仅变得越来越古怪，雅各布还必须时时克制自己越来越汹涌的嗜血欲望。为了获得血液，雅各布杀了人，现在，他需要担心受怕的事情又多了一件，如何躲避警察的调查成为了重中之重。可即便如此，雅各布还是深深的爱着玛丽，为了能够将玛丽留在身边，雅各布不得不做出更加出格的举动。
眨眼之间
凯特·麦克金农,戴维德·迪格斯,拉什达·琼斯,Jorge Vargas,塔娜亚·比蒂,斯凯沃克·休斯,Rhona Rees,Tatyana Rose Baptiste,Nox Watkins,Tyson Night,卢克·罗德里克,安德丽亚·邦,Diana Tsoy,Aria Kim,Yeji Kim,Cameron Roberts,Theodore Starr,卡琳·考诺娃,Gui Fontanezzi,Lydia Campbell影片通过跨越数千年、不同时空的三条故事线，交织出无形之中彼此呼应的科幻寓言。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.