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Laura Brandão,Serena,Larissa Mauro,Camila Márdila,Aline Marta Maia青出于蓝2025
索菲娅·莉莉丝,戴夫·巴蒂斯塔,鲍比·坎纳瓦尔,凯特·德尔·卡斯蒂洛,杰克·尚皮永,托尼·达尔顿,布鲁·德尔·巴里奥,印达·纳瓦雷特,惠特尼·皮克,泽尔·亚当斯落难女子
罗伯特·帕丁森,米娅·华希科沃斯卡,大卫·泽尔纳,内森·泽尔纳,罗伯特·福斯特女孩2025
邱泽,汤毓绮,白小樱,林品彤,赖雨霏,刘品言,陈竹升,曾珮瑜,梁正群,谢琼煖,黄镫辉,刘冠廷荷兰人
安德烈·霍兰,凯特·玛拉,斯蒂芬·亨德森,莎姬·贝兹,阿尔迪斯·霍吉,劳伦·E.班克斯,特蕾西·怀尔德,兰尼·普拉特,本杰明·泰思,Shonica Gooden,Lazarus Simmons,Sally Stewart,托尼·托尔恩,凯文·泰勒·罗德里格斯,Hyunmin Rhee,Natasja Naarendorp,迈克尔·劳伦斯,Christopher Batyr,Christopher Cortez Adams,Mounir Quazzani自杀森林
娜塔莉·多默尔,泰勒·金尼,欧文·马肯,斯蒂芬妮·沃格特,小泽征悦,Rina Takasaki,樱井北子,Yûho Yamashita,藤本政志人气佳作
鳄鱼莱莱
肖恩·蒙德兹,哈维尔·巴登,吴恬敏,斯科特·麦克纳里,温斯洛·费格雷,布伦特·吉尔曼,萨尔·维斯库索,多恩·迪皮塔,尤西·丘辟特,科拉·林德尔,马克·威尔斯,林赛·莫泽,丹尼·所罗门恶徒2025
斯蒂芬·格拉汉姆,安德丽娅·赖斯伯勒,安森·布恩,奥斯汀·海恩斯,基特·拉库森,卡勒姆·布斯-福特,萨万娜·斯泰恩,诺亚·曼祖尔,Monika Frajczyk旅行者的需求
伊莎贝尔·于佩尔,李慧英,权海骁,赵允熙,河成国最小的女儿
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放飞旅行团
堅持到底的瘋狂執著者、活力爆棚的樂天派、顏值爆表的潮流DJ志願生、腦洞大開的怪咖,還有直率爆笑的傻大姐——這五位從小一起長大的死黨,雖然個性南轅北轍,但卻默契滿點。在友情屆滿24週年的同時,他們終於迎來夢寐以求的「人生首次海外旅行」!只是沒想到,這場說走就走的旅程,卻秒變災難現場:走失、誤會、鬧劇不斷升級,他們能否克服重重危機,重新找回彼此?而這場瘋狂之旅的終點,會是一生中的難忘回憶,還是友情的轉捩點呢?
穿越山海走向你
主演:帕沙拉提·阿依库什/刘婉露/桑宗忠12岁的牧区少年别克听说曾经来新疆帮助牧民脱贫致富的骆驼爷爷生病了,执拗的别克相信,喝了新鲜的白驼奶,骆驼爷爷的病就会好,于是躲开大人的围追堵截,牵着一对白驼母子,到几千公里外的成都去找骆驼爷爷,沿途遇到了很多人,发生了很多惊险有趣的故事。立即播放
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster