播放通道
详细简介
热门影视 大家都在看
冰尸玩过界
Seth David Mitchell,Brit Morgan,Noah Segan魔法坏女巫
辛西娅·埃里沃,爱莉安娜·格兰德,杰夫·高布伦,杨紫琼,乔纳森·贝利,伊桑·斯莱特,玛丽莎·博德,彼特·丁拉基,安迪·尼曼,考特尼-梅·布里格斯,杨伯文,布朗温·詹姆斯,伊迪娜·门泽尔,克里斯汀·肯诺恩斯,基拉·塞特尔,莎伦·D·克拉克,科林·迈克尔·卡迈克尔,亚当·詹姆斯,爱丽丝·费恩,詹娜·博伊德,肖恩·普伦德加斯特,亚伦·张,Lexi Lancaster,Arlo Turner约束的罪行
塞西莉亚·罗特,米格尔·安吉尔·索拉,本杰明·阿玛迪奥,索菲亚·哥拉,亚尼娜·阿维拉,迭戈·克雷莫内西,保罗·巴林托斯,马塞洛·索比奥托,玛丽娅·玛努尔,马塞洛·丹德烈亚,克拉拉·科瓦西奇爱情鸟的自救
库梅尔·南贾尼,伊萨·雷,安娜·坎普,保罗·斯帕克斯,凯尔·柏海莫,乔·克里斯特,布莱恩·克恩,莫西斯·斯托姆,贾伦·米切尔,T·C·马特恩,格拉伦·布莱恩特·班克斯,尼古拉斯·帕森斯,安东尼·迈克尔·弗雷德里克,韦米蒂娅·埃拉恩,莱斯利·卡斯泰,Kenneth Kynt Bryan,Catherine Cohen,Kelly Murtagh,Andrene Ward-Hammond旺姆的夏天
旺卓措,久巴,卓杰泽仁,泽王拉姆,落周求吉尼玛愤怒的黑人女孩与她的怪物
Chad L. Coleman,Laya DeLeon Hayes,丹泽尔·惠特克同类推荐
阿姆斯特丹
克里斯蒂安·贝尔,玛格特·罗比,约翰·大卫·华盛顿,亚历桑德罗·尼沃拉,安德丽娅·赖斯伯勒,安雅·泰勒-乔伊,克里斯·洛克,马提亚斯·修奈尔,迈克尔·珊农,麦克·梅尔斯,泰勒·斯威夫特,蒂莫西·奥利芬特,佐伊·索尔达娜,拉米·马雷克,罗伯特·德尼罗,梅尔·法尔,邦尼·赫尔曼,马克斯·佩利希,小艾德·博格里,考林·加普,劳伦·肖,布兰登·戴维斯,凯西·比格斯,戴·扬,肖恩·艾弗里,洁基伯明翰,瑞贝卡·薇索基,史蒂文·哈克,贝丝·格兰特,汤姆·埃尔文,利兰·奥瑟,马丁·威廉·哈里斯,文森特·M·比肖内,詹姆斯三位好友，一桩谜案，惊天阴谋，即将揭晓...... 全明星阵容共同演绎，奥斯卡提名导演大卫·O·拉塞尔执导，克里斯蒂安·贝尔、玛格特·罗比、约翰·大卫·华盛顿主演，泰勒·斯威夫特惊喜亮相！当目击者变成嫌疑人，身处风暴中心的他们，该如何守护彼此，发现真相？
通往绞刑架的电梯
让娜·莫罗,莫里斯·罗内,乔吉斯·伯乔利,约里·贝尔坦,让·瓦尔,埃尔加·安德森,西尔维亚娜·艾森施泰因,米舍利娜·博纳,吉赛勒·格兰普雷,Jacqueline Staup,马塞尔·屈弗利耶,热拉尔·达里厄,查尔斯·登纳,于贝尔·德尚,雅克·黑林,马塞尔·乔内,弗朗索瓦·茹,伊万·彼得罗维奇,费利克斯·马滕,利诺·文图拉,让-克洛德·布里亚利前伞兵军官朱里安•塔维尼（Maurice Ronet 饰）退役后在一家军火公司上班，期间他和老板西蒙•卡瑞拉（Jean Wall 饰）的妻子弗洛伦丝（Jeanne Moreau 饰）陷入热恋。为了扫清障碍，他和情妇制定了一条看似天衣无缝的谋杀计划。计划起初进展顺利，但在刺杀之后却因细微的差错偏离当初的设想，朱里安更被困在大楼的电梯之中。 所谓祸不单行，一对青年男女偷走了朱里安的车，事态开始朝着混乱的方向发展…… 本片为左岸派元老路易•马勒的长片处女作，荣获1957年路易•德吕克奖
18岁的青春
全昭旻,金度延,秋昭贞,朴瑞妍,宋智妍影片讲述以与众不同的教育观念获得学生们的欢迎，但在老师同事间遭受白眼的熙珠（全昭旻 饰），和讨厌异想天开的18岁高中生纯情（全度延 饰）的相遇。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
毛骨悚然撞鬼经 2016夏季特别篇
稻垣吾郎,武井咲,丰岛花,板谷由夏,中岛健人,前野朋哉,半海一晃,生田绘梨花,生驹里奈,斋藤飞鸟,白石麻衣,西野七濑,笨蛋节奏,岸井雪乃,吉本美憂,利重刚,柳叶敏郎,前田敦子,鹿贺丈史病房里的五元硬币：护士吉川亚由美（武井咲 饰）发现，每当小病人麻友呆呆地指着某个房间某个病床时，该病床的病人就会很快死去。壁橱好可怕：心怀美容师梦想的青年干也（中岛健人 饰）在东京租住了一间廉价公寓，然而房间内的壁橱门总会莫名其妙打开。多出一个人的电梯：四名高中女孩去看望骨折住院的好友上崎亚矢奈因（生驹里奈 饰），当她们准备坐电梯离开时，电梯内突然好像又进来一个“人”。诅咒绘马：小岛洋介（バカリズム 饰）意外得到一个会带来厄运的绘马，他试图摆脱却没有办法。夏季通知：不顾父亲反对而闯荡东京的朋子（前田敦子 饰）饱受挫折，偏偏她发现已经去世的父亲（鹿贺丈史 饰）时不时出现在他的身边。引诱池塘：已步入老年的高松（柳叶敏郎 饰）告别子女，打算在度假区多待一天，夜幕降临，他似乎看到去世妻子的鬼魂在召唤着他。