性本恶
早在2010年的12月，安德森就有意改编托马斯 ;品钦的《性本恶》，不过由于另一部新片《大师》的资金到位较早，《性本恶》暂时被搁置了起来。《性本恶》有一个类似钱德勒侦探小说的外壳，洛杉矶私家侦探多克与前女友莎斯塔不期而遇，并从她那听说了一个无从佐证的故事，一桩离奇绑架案，受害者她现在的情人是一个;腰缠亿贯 的房地产商。多克明知道;爱情 ;是个含混不清、随时会惹出一串麻烦的词儿，还是鬼使神差地撞进了莎斯塔的故事，而且愈卷愈深，冲浪手、皮条客、贩毒者、摇滚乐手、犯了命案的高利贷者，各色人等，若隐若现
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写在大地上的诗
兰岚,查岭该片是国家广播电视总局2024年度电视剧引导扶持专项资金和“深入生活、扎根人民”倾斜项目，通过诗人田地发现田间、走进历史、重写戎冠秀的故事，用诗歌去表达还原当时戎冠秀支援前线的历史，通过网络让观众熟知悉那段拥军，爱军的模范事迹。
百烛游戏2
Magui Bravi,Nacho Francavilla,Josefina FariñaA team of influencer bloggers decides to hold a ritual at the mansion of the "black countess". A fan of the supernatural, she disappeared without a trace after she was offered to play a game that was supposed to take her to another dimension. By evoking the spirit of the Countess, bloggers let otherworldly forces into the world. The one who can bring the demons back will survive.
黑天鹅1942
泰隆·鲍华,玛琳·奥哈拉,拉尔德·克雷加,托马斯·米切尔,乔治·桑德斯,安东尼·奎恩,乔治·祖科故事背景设定在16世纪的英国，海盗首领莫根船长（拉尔德·克雷加 Laird Cregar 饰）受到国王查理的特赦，并被任命为牙买加总督。一位年轻而勇敢、机智而英俊的年轻人沃林（泰隆·鲍华 Tyrone Power 饰）决定跟随莫根船长前往牙买加。然而，莫根过去的下属、狡猾而残忍的里奇船长（乔治·桑德斯 George Sanders 饰）却拒绝接受莫根的领导，继续在海上进行抢劫商船的行为。为了消灭海盗，沃林率领船队出海，在航行途中偶然与里奇的“黑天鹅号”，并和其他两艘船发生了遭遇战。面临险境，沃林不得不机智地假装前来投降并投靠里奇。通过巧妙周旋和激烈战斗，里奇最终受到了惩罚，他的“黑天鹅号”彻底被摧毁。与此同时，贵族小姐玛格丽特（玛琳·奥哈拉 Maureen O'Hara 饰）对沃林从厌恶逐渐转变为敬佩，最终产生了爱慕之情，展开了一场曲折而离奇的爱情故事。
鬼马智多星
林子祥,麦嘉,泰迪·罗宾,姚炜,曹达华,岑建勋,曾志伟30年代的香港，社局动荡，黑帮林立。香港大亨胡老头这日找到私家侦探哎吆（林子祥 饰），要求其调查胡太太，因为他觉得胡太太这些天表现奇怪。哎吆调查后发现，原来是坏蛋神父卡邦派（麦嘉 饰）人勾搭上了胡太，意欲偷取胡老头价值连城的股票。他们这一计划遭哎吆撞破后，四处追杀哎吆。 哎吆亡命之际，又发现了胡老头其实并非什么香港大亨，只是一名老千，他来香港的目的就是要骗卡邦等流氓的钱。胡老头邀请哎吆入伙，一起设局骗卡邦。和好友探长罗宾（泰迪•罗宾 饰）商量后，哎吆决定来个将计就计。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
剧场灵
岛崎遥香,足立梨花,高田里穗,町田启太,中村育二,小市慢太郎水树沙罗（岛崎遥香 饰）是一个在演艺圈打拼多年的青年女演员，虽然她努力磨练演技，勤奋专注，却始终未得到世人的关注。在此期间她受到来自事务所的压力，二者相权之际最终选择参加剧作家锦野豪太（小市慢太郎 饰）的新作《鲜血的召唤》的试镜。《鲜血的召唤》根据史上真实人物嗜血如命的伊丽莎白的故事改编，为了美这个女人不惜残害鲜活的生命。沙罗与同事务所小有名气的女星筱原葵（高田里穗 饰）一同试镜，两人最终分别获得了农家女孩安娜以及主角伊丽莎白的角色。 在排演过程中，放置在舞台中央的人偶似乎有了自己的意识，让本就为了荣光而近乎癫狂的女子们更走向了崩溃的边缘……