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梦之安魂曲
艾伦·伯斯汀,杰瑞德·莱托,詹妮弗·康纳利,马龙·韦恩斯,克里斯托弗·麦克唐纳,露易丝·拉塞尔,玛西娅·让·库尔茨,珍妮特·萨诺,苏珊妮·谢泼德,夏洛特·阿罗诺夫斯基,马克·马戈利斯,迈克尔·卡切克,杰克·奥康耐,斯科特·富兰克林,亚伯拉罕·阿罗诺夫斯基,欧嘉·梅雷迪斯,本·申克曼,凯斯·大卫,迪伦·贝克,肖恩·奥哈根,比尔·布尔,吉米·雷·威克斯,斯坦利·B·赫尔曼哈瑞（杰瑞德·莱托 Jared Leto 饰）和玛丽安（詹妮弗·康纳利 Jennifer Connelly 饰）彼此相爱，梦想着开个服装店，梦想着有个美好的明天。然而他们都离不开毒品，并想着以销毒赚得第一桶金。哈瑞的母亲是个彻底的电视迷，最大的梦想是上电视，为此不顾年迈吞食减肥药。由于药品里的毒品成分，她渐渐上了瘾。哈瑞的朋友狄龙（马龙·韦恩斯 Marlon Wayans 饰）同样是个瘾君子，为了挣大钱加入了黑社会。为了梦想，他们努力着，却一步步深陷毒品难以自拔。 哈瑞的胳膊因注射毒品感染而被割去；玛丽安为了毒品出卖肉体和自尊；哈瑞的母亲最终住进了精神病院受尽折磨；狄龙锒铛入狱。当视线变得模糊，梦在遥远处呼唤，迷失的人该以怎样的姿态安抚自己的灵魂。
罪恶新月城
亚历克·鲍德温,泰伦斯·霍华德,埃塞·莫拉雷斯,妮基·韦兰,迈克尔·希罗,温斯顿·凯奇,安居尔·尼加姆,Maria Camila Giraldo,瑞玛·桑帕特,Danielle DruzA small town in the south is ravaged by a serial killer, with everyone being a suspect including the police.
手遮天
刘峰超,袁福福,淳于珊珊底层捕快薛不疑（刘峰超 饰）因不谙世故遭同僚排挤，憋屈十年。一桩赈灾银盗窃案他沦为替罪羊。绝境中，他受老师黄士宁（淳于珊珊 饰）搭救，与师弟李震（袁福福 饰）再度合作，然而钱外有钱官外有官，他被迫成为高官手中的“犬牙”……在这黑暗世道，他是会选择做一只听话的鹰犬，还是挣脱这巨 手成为啄天之鹰？
偶像大师 百万现场！ ～终将，立于中央～
桐谷蝶蝶,小岩井小鸟,诹访彩花,山崎遥,田所梓,齐藤真知子,角元明日香,爱美,仁后真耶子,高桥智秋,中村源太在MILLIONSTARS的偶像们于定期公演中闪耀绽放之际，美也收到了一封"希望能一起热闹学园祭"的商谈请求。与朋花、茉莉三人共同遇到的寄信人——高中二年级学生花，是美也的忠实粉丝，她一直憧憬着美也那种能以独特步调克服困难的身姿。得知花正打算放弃组建乐队的梦想后，美也主动提出要和她一起实现梦想。在共同追逐梦想的每一天里，推动两人前进的并非花所憧憬的美也——而是美也发自内心的真实情感。
你留下的痕迹
麦卡·梦露,泰里克·威瑟斯,布莱德利·惠特福德,劳伦·格拉汉姆,希拉里·杰迪妮,詹妮弗·罗伯逊,鲁迪·潘科,莱尼·威尔逊,尼古拉斯·杜威内,佐伊·科索维奇,Rick Koy,Susan Serrao,Anne Hawthorne,Monika Myers,Laird Reghenas,Kevin Corey,Bud Klasky,罗里·埃德加影片改编自科林·胡佛2022年出版的畅销小说，讲述一段关于母性、宽恕，以及爱的力量是如何修复最严重错误的动人旅程。在和男友有一次看似完美的约会之后，肯娜（麦卡·梦露 饰）犯下一个无法弥补的错误，使她被送进监狱。七年后，她回到怀俄明州的家乡，希望能够重新建立她的人生，并且争取与她从未见过的女儿蒂恩母女团圆的机会。当拥有蒂恩监护权的祖父母坚决拒绝让肯娜见她的女儿时，她却意外地在一位前美式足球球员以及当地酒吧老板的雷杰（泰里克·威瑟斯 饰）身上找到意想不到的同情心以及更真实和深切的情感。随着他们的秘密恋情逐渐发展，他们两个人也面对越来越多的危险，这把肯娜逼向心碎的边缘，然而，最终也让她有希望得到第二次机会。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.