卧室

胜利之歌

詹姆斯·卡格尼,琼·莱斯利,沃尔特·休斯顿,理查德·沃尔夫

 本片本讲述的是：乔治·柯汉是本世纪前期著名的百老汇表演艺人，身兼演员、作家、作曲家与舞蹈家于一身，他的生平故事可以说反映了四十年代以前美国娱乐事业的生态。本片是导演迈克尔·柯蒂兹与编剧爱泼斯坦尼兄弟合作的另一佳片，描述柯汉从一个地位卑微的儿童演员力争上游变成百老汇巨星的一生。以出色的制作和歌舞场面重现当年的娱乐圈面貌，并侧面反映了当时的美国社会脉动。在三十年代以主演黑社会片享有盛誉的詹姆斯·卡格尼改变戏路，在银幕上又唱又跳，生动而细腻地注释了主人翁的形象和个性，因而勇夺奥斯卡最佳男主角金像奖，片中出色的歌舞表演亦令人看得眉飞色舞

黑暗心灵

凯西·霍廷,肖恩·桑迪福德,Malakai Fox

　　艾丁一直相信，过去的一切已经过去，他由一位善良的养父抚养长大，最终找到了家的感觉。然而，当他的亲生父母被神秘谋杀后，一切都改变了。悲痛和对正义的渴望驱使着他。

切勿擅动

唐·钱德尔,本尼西奥·德尔·托罗,马特·达蒙,大卫·哈伯,布兰登·费舍,诺亚·尤佩,茱莉娅·福克斯,基南·卡尔金,克雷格·穆姆斯·格兰特,艾米·西米茨,弗兰西斯·肖,乔恩·哈姆,Tina Gloss,雷·利奥塔,拜伦·鲍尔斯,比尔·杜克,Lucy Holt,Katherine Banks,Claudia Russell,Lauren Rys Martin

　　一群犯罪分子在神秘的环境下被聚集在一起，当他们简单的工作完全出现偏差时，他们不得不一起努力去揭开到底发生了什么。

绑架

保罗·皮耶罗邦,福斯托·鲁索·阿莱西,芭芭拉·朗奇,Enea Sala,莱昂纳多·马尔特斯,菲利波·蒂米,法布里齐奥·吉福尼,Andrea Gherpelli,Samuele Teneggi,科拉多·因韦尔尼齐,Aurora Camatti,保罗·卡拉布雷西,布鲁诺·卡里诺,Renato Sarti,Fabrizio Contri,费德里卡·弗拉卡西,查士丁尼·阿尔皮,亚历山德罗·班迪尼,James Basham,Leonardo Bianconi

　　1858年，在博洛尼亚的犹太区，教皇的士兵闯入了莫塔拉家，按照枢机主教的命令，他们要抢走莫塔拉家的七岁儿子埃德加罗。这个孩子在婴儿时期被保姆秘密洗礼，教皇法律是不容置疑的：他必须接受天主教教育。莫塔拉的父母心痛万分，他们将不惜一切代价取回自己的儿子。在国际犹太社区和舆论 的支持下，莫塔拉家的斗争很快就带上了政治色彩。但是，教会和教皇不会同意归还这个孩子，因为这有助于巩固越来越动摇的权力……

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

继续跳舞

繆騫人,林建明,黄霑,周文健,孟海

　　资深电视人甘国亮和《跳灰》新浪潮电影人梁普智联合导演，1988年喜剧《继续跳舞》由缪骞人、新马师曾、曾志伟、吴耀汉、黄沾、李香琴、孟海、林忆莲和林建明主演，片中缪骞人更一人饰演两角，分别是孖生姊妹长娥和次娥。次娥本来住在精神病院中，但是她用巧计将长娥骗入院中，并对调身份，然後到社会上寻找负心的前夫。　　故事讲述次娥在过程中遇上了单恋长娥的邮差，又因看风水而认识了富翁唐沙翁。三人之间竟然相处融洽。而长娥本来只想在院中作短暂的停留，但是每日接触稀奇古怪的医护人员和病人後，竟然发现这种生活别有乐趣，逐渐淡忘外界的一切，包括自己的未婚夫在内……

洛桑的家事

金巴,扎西,加华草,更旦,居琼钦

　　洛桑的三岁孙女央金被酒后驾驶拖拉机的豆拉伽撞成了高位截瘫，由此引发了三个家庭的矛盾，最后和解，实现了信仰与法律的相辅相成。