画欲女孩
影片讲述了暂无内容假若一个女人要爱上了一个泰国传统舞蹈老师，他的妻子，他的同事以及他的学生时会发生多疯狂的事，其中到底发生了什么才导致这些事产生。这是一部唯美的泰国电影，具有极强的艺术观赏性，情节构思上不受现实的土壤累赘。
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剧情提要
影片讲述了暂无内容假若一个女人要爱上了一个泰国传统舞蹈老师，他的妻子，他的同事以及他的学生时会发生多疯狂的事，其中到底发生了什么才导致这些事产生。这是一部唯美的泰国电影，具有极强的艺术观赏性，情节构思上不受现实的土壤累赘。
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好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster