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身在其中
艾莉森·帕拉迪丝,Jean-Baptiste Tabourin,Claude Lulé,Dominique Frot,娜莎丽·罗赛,François-Régis Marchasson,碧翠斯·黛尔,Hyam Zaytoun,塔哈·拉希姆,Emmanuel Guez,卢德维克·伯特希尔克,Emmanuel Lanzi,尼古拉斯·迪佛休尔,艾曼·赛义迪女性摄影师莎拉（Alysson Paradis 饰）和马西欧（Jean-Baptiste Tabourin 饰）这对幸福的夫妻组成的小家庭即将迎来新的成员，但一场严重的车祸摧毁了他们美好的憧憬。马西欧在车祸中丧生，莎拉以及未出世的宝宝侥幸存活。 圣诞之夜，孤独的莎拉待在家中，等待第二天早晨的生产。这时敲门声响起，一名黑衣女（Béatrice Dalle 饰）请求使用电话。莎拉本能地拒绝了她，谁知黑衣女竟千方百计想要闯进来。她的目的只有一个，抢夺莎拉那尚未出世的孩子。挡路者只有死路一条……
蛛网男孩
伍迪·诺曼,丽兹·卡潘,安东尼·斯塔尔,克利欧佩特拉·科尔曼,埃伦·杜宾,黛博拉·热切娃,斯蒂芬妮·桑普森,Luke Busey,Jay Rincon,Jesse Vilinsky,Anton Kottas,Aleksandra Dragova,Aleksander Asparuhov,James Robinson,Jivko Mihaylov八岁的彼得（伍迪·诺曼 Woody Norman 饰）经常受到来自卧室墙壁内的神秘的、持续的敲墙声的困扰——他的父母坚持认为这种敲击声只是他的想象。随着彼得的恐惧加剧，他相信他的父母可能隐藏着一个可怕、危险的秘密，并逐渐丧失对他们的信任。对于一个孩子来说，还有什么比这更可怕的呢？
春闺风月
艾琳·邓恩,加里·格兰特,拉尔夫·贝拉米,亚历山大·达西,塞茜尔·坎宁安,莫莉·拉蒙特,乔伊斯·康普顿,罗伯特·沃里克,玛丽·福布斯,Esther Dale,Robert Allen故事发生在车水马龙的大都市纽约，杰瑞（加里·格兰特 Cary Grant 饰）和露西（艾琳·邓恩 Irene Dunne 饰）是一对感情十分要好的夫妻，两人时常结伴出入上流人士所举办的高端晚宴之中，生活极尽奢华，但随着时间的推移，这表面幸福的婚姻生活终究还是出现了裂痕，杰瑞和露西决定离婚。在两人分开之后，杰瑞邂逅了富有而又美丽的遗孀芭芭拉（莫莉·拉蒙特 Molly Lamont 饰），露西则傍上了石油大亨丹尼尔（拉尔夫·贝拉米 Ralph Bellamy 饰），可寻找到了各自幸福的两人却并不能相安无事，正相反，他们开始想方设法的破坏和阻挠对方的情感关系，就此引出了一系列荒诞可笑的意外。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
时间浪人之爱你一大跳
艾伦,林佳陵,黄妮娜,郭祥鹏,陈姝,苗驰,纪阳木该片剧情主要讲述了一个现代花花公子楚留香每天周旋于多个情人之间，某天意外被情人们发现后将他扔下悬崖，等他醒来时发现自己竟离奇穿越到古代，并且被将军府千金杜鹃儿带回去做家丁，而更加不可思议的是，他发现杜鹃儿竟然也是从现代穿越来的，随后两人就发生了一段“山路十八弯，荡气回肠”的另类穿越爱情故事。
杀的就是你
莎姬·贝兹,汤姆·费尔顿,帕特丽夏·阿奎特,海瑟·格拉汉姆,米哈拉·赫罗德,佩特逊·约瑟夫,阿曼多·里维拉,达伦-迈耶,克里斯·范·伦斯堡,盖布·加布里埃尔,梅根·亚历山大一个从事打扫工作的女子为纽约一座摩天大楼中的富人家工作，却被告知这里有一个供奉撒旦的邪教，每个月要杀一个人作为祭品，“今晚，选中了你……”