凯蒂夫人 Salon Kitty
在元首的领导下，纳粹政权逐步稳固。为了进一步控制纳粹军官们的行为和思想，政府执行了一个邪恶的计划。他们将一批被完全洗脑的漂亮女子训练成共军官们玩弄的高级妓女交由凯蒂夫人（英格里德·图林 Ingrid Thulin 饰）管理，在占有军官们的肉体的同时，姑娘们也在暗中监视着他们的思想，以此排除异己。 玛葛塔（特蕾莎·安·萨沃伊 Teresa Ann Savoy 饰）是一名纳粹的忠实拥护者，年轻的她义无反顾的加入了妓女的行列。可是，在执行任务的过程中，她发现现实并不像她曾经了解的那样美好和光明。在猛然醒悟后，她决定献出自己微薄的力量，为摧毁纳粹的阴谋做出贡献。
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剧情简介
在元首的领导下，纳粹政权逐步稳固。为了进一步控制纳粹军官们的行为和思想，政府执行了一个邪恶的计划。他们将一批被完全洗脑的漂亮女子训练成共军官们玩弄的高级妓女交由凯蒂夫人（英格里德·图林 Ingrid Thulin 饰）管理，在占有军官们的肉体的同时，姑娘们也在暗中监视着他们的思想，以此排除异己。 玛葛塔（特蕾莎·安·萨沃伊 Teresa Ann Savoy 饰）是一名纳粹的忠实拥护者，年轻的她义无反顾的加入了妓女的行列。可是，在执行任务的过程中，她发现现实并不像她曾经了解的那样美好和光明。在猛然醒悟后，她决定献出自己微薄的力量，为摧毁纳粹的阴谋做出贡献。
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异形帝国
故事背景是未来世界的洛杉矶，此时已有三十万的外星人劳工移民进入美国，跟地球人打成一片。地球刑警塞克斯的搭档惨遭杀害，为了找出真凶，他只有接受外星族警察法兰西斯作为新搭档。在追查真相过程中，两个不同种类的刑警逐渐消除了对彼此的不信任，以及克服在不同种族查案时遇到的阻碍，合力对付主要的嫌疑犯——不怀好意的地球企业家泰伦斯·史丹普。
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
纵横四海
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