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爆弹
山田裕贵,伊藤沙莉,染谷将太,渡部笃郎,佐藤二朗一个神秘中年男子醉酒后袭击了一台自动售货机和便利店店员，被警方拘留。他声称自己拥有超能力，并预测东京将有炸弹。从秋叶原爆炸事件算起，他预测接下来还会有三次爆炸，间隔一小时。随后，他一边回避着警察的询问，一边问一些有关炸弹的神秘“问题”。
孤独监禁
大卫·奥伊罗,鲁奇娅·伯纳德,吉米·费尔斯,奥利维亚·华盛顿,托马斯·卡德罗特,亚历山大·索托,Naomi Simpson,瑞恩·马尔凯,Gerardo Barcala,凯特·盖多西克,Trell Isaac,Julie Nolin,Matthew Mylrea,Aiden Stoxx,Alexander Davis,Glenn Hoffmann,巴里·佩珀,Nigel Gentry,Gavin Turnbull,Yorkie JoaquinA man in solitary confinement for seven years comes out into a world of self-isolation.
疯狂动物园
威尔·福特,约翰·雷吉扎莫,约翰·克里斯,吉姆·卡明斯,杰森·琼斯,萨曼莎·比After breaking out of a rehabilitation zoo, Frankie, a squirrel with all the angles, returns to his forest. He learns from his dim-witted best friend, Cody, a porcupine and street-con, that while he was in lock-up, the entire forest was picked clean by The A.C.O.R.N.S. Institute (Alternative Cosmetic Oils for Regenerative Natural Skin-care). No acorn was left behind. With winter just around the corner, it's a potentially devastating blow to all forest critters. So, Frankie has no choice but to bust into the brand new, state-of-the-art, rodent-proof A.C.O.R.N.S. Processing Plant and take back all of the acorns! Though a seemingly impossible heist, success would not only save the lives of his forest friends, but it would also give Frankie a chance to win back the love of his life, Lola, a local "show squirrel." Sadly, Lola has been burnt by too many of Frankie's false promises in the past. With the support of Frankie's old mentor, Mr. Bellwood, a wealthy badger, Frankie and Cody assemble a team of top notch "crackers" from all over the forest, including: a bat named Fly Boy, a top notch munitions expert; Raitch, a computer hacking albino snake, who never allows her lack of appendages to get in the way; Edsy a tiny "family frog," whose ability to freeze himself solid for days on end without harm is invaluable; a germophobic French rat named Liam, who can collapse his skeleton to get into any space; Chinese father-daughter pangolins named Pango and Lin, the best diggers in the forest; and Bellwood's hedgehog butler, Oscar who knows how to get his hands on anything the crew needs. With winter knocking at their door, Frankie and his crew have only three days to prepare and execute this unprecedented heist. When they learn that the processing of their forest's acorns has been pushed up a day, Lola's refusal to participate leaves Frankie and his crew one critter short. With everything on the line, Frankie and his crew of Animal Crackerz set out to pull off the biggest heist in animal history!
普通事故
瓦希德·穆巴谢里,玛丽亚姆·阿夫沙里,艾卜拉希姆·阿兹兹,哈迪斯·帕克巴滕,马吉德·帕纳西,穆罕默德·阿里·艾利亚斯梅尔,德尔玛兹·纳加菲,阿菲桑内·纳姆巴蒂,乔治·哈什姆扎德,莉安娜·阿兹兹菲只是一场意外，却又超乎意外。驾车撞死一条狗，男子与妻女来到陌生车房。凭其义肢走动时的声响，车房工认出司机或是当年施酷刑的狱吏。仇人送上门，雪恨更待何时。然而，狱中受折磨时双眼被蒙，嫌疑犯是行刑者确实无误？从早到晚奔波一轮，找来几个狱友确认俘虏身份，痛苦回忆涌上心头。在无 垠沙漠等待把他活埋私了，有若在人性荒原等待果陀，替天行道又是否问心无愧？以悬疑惊栗布局，暗黑写实的人物故事来自巴纳希狱中亲见亲闻，将苛政、滥权、以暴易暴一一置于道德伦理的天秤上，丈量人性轻重；悲愤中不失幽默，连消带打贪污贿赂之风。一面金棕榈奖，绝非意外。
一步之遥
姜文,葛优,周韵,舒淇,文章,王志文,洪晃,刘利年,那英,刘索拉,牛犇,姜洪齐北洋政府统治时期，盘踞上海的军阀武大帅之子武七（文章 饰）为洗刷耻辱，辗转找到了前清遗老马走日（姜文 饰）求助。在此之后，马走日和在法租界当警督的发小项飞田（葛优 饰）联手策划了名为“花域总统选举”的大型选美活动，和马从小就认识的现总统完颜英（舒淇 饰）成功卫冕。谁知就在繁华喧嚣的最顶点，命运之车竟急转直下驶向深渊。在一个平凡的早上，完颜陈尸郊野，张皇失措的马走日找到武七的姐姐武六（周韵 饰）及其母亲齐老师（洪晃 饰），希望通过大帅帮自己洗刷杀人犯的罪名，结果却盲打误撞救下了险些被整死的项飞田。背负杀人犯之名的马绝路逃亡，而武六则以该事件拍摄了名为《枪毙马走日》的电影，马的命运愈加扑朔迷离…… 本片根据民国奇案“阎瑞生案”改编。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.