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布兰登·费舍,萨迪·辛克,周洪,泰·辛普金斯,萨曼莎·莫顿,实谛·史达仁,杰西·辛克弗兰肯斯坦的诅咒
彼得·库欣,哈泽尔·考特,罗伯特·厄克特,克里斯托弗·李,梅尔文·海斯,瓦莱丽·冈特最优路径
清算
高捷,姜皓文,侯桐江,湛佳明 Jiaming Zhan,张荣祥 Cheung Wing-Cheung,屈刚,张媛钰,贾天明,景乐,韩则怡 Zeyi Han,武岳 Yue Wu,张怀公,洪子龙 Zilong Hong,刘浩岚 Haolan Liu,刘开心 Kaixin Liu我当你兄弟
文斯·沃恩,詹姆斯·麦斯登,艾莎·冈萨雷斯,凯斯·大卫,斯蒂芬·鲁特,吉米·塔特罗,埃米丽·汉普希尔,刘易斯·陈,本·施瓦茨,阿图罗·卡斯特罗,迪伦·普莱费尔,大卫·汤姆林森,保罗·程,凯特琳·贝肯,Sara Angelica,Mackenzee Cullen,Scott Cloney,德里克·詹姆斯·特拉普惊爆魔盗团
祖尔·阿里芬,Sharnaaz Ahmad,Amelia Henderson,Nadhir Nasar,郑斌辉,Yasmin Hani,吕杨,米勒·可汗,Elvina Mohamad,G Theebaan,Anas Ridzuan,Wan Raja,Mustaqim Bahadon,Aanantha Rajaram,Shamini Shradha,Alicia Amin,陈沛江,Sherry Al Jeffry人气佳作
狂犬病1977
玛丽琳·钱伯斯,弗兰克·穆尔,乔·西尔弗,霍华德·雷什潘,帕特丽夏·盖奇,苏珊·罗曼,Roger Periard,Lynne Deragon,Terry Schonblum,Victor Désy,Julie Anna,Gary McKeehan,Terence G. Ross,米格尔·费尔南德斯,Robert O'Ree,艾伦·莫伊尔,Malcolm Nelthorpe,瓦拉斯塔·瓦拉纳,彼得·麦克内尔,Una Kay,Robert A. Silverman,Isabelle怪物2023
安藤樱,永山瑛太,黑川想矢,柊木阳太,高畑充希,角田晃広,中村狮童,田中裕子两个心脏
金宣儿,马东锡,李清娥,郑仁基,朴孝朱,申正根黑天鹅1942
泰隆·鲍华,玛琳·奥哈拉,拉尔德·克雷加,托马斯·米切尔,乔治·桑德斯,安东尼·奎恩,乔治·祖科导演精选
虚拟实惊
仁·阿玛瑞发明了革命性的药品型软件,可直接在人类大脑中创造虚拟现实,仅几秒钟就能体验几小时或几天的激动人心的冒险。仁要拯救弟弟于记忆迷局,而合作伙伴一心只想赚取利益,但是一切都是记忆连环套……
丧尸特警
两位壮汉刑警在调查一起银行劫案时,发现犯罪分子居然个个刀枪不入。根据线索,他们找到一家公司,似乎最近的很多案件都和这家公司的一个秘密实验室有关。后来,此两位硬汉在与犯罪分子的斗争中不幸相继殉职,但这恰好给他们创造了机会——两个人亦成为试验品,他们的尸体即将被一个怀揣着极大阴谋的邪恶博士所利用……然而,哼哼,英勇的人民公安是不会向犯罪集团低头的,you can't keep a good cop dead!
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster