301角斗士
曾经成功推出Animal暂无内容House的国家讽刺文社(National暂无内容Lampoon)近日决定开拍讽刺好莱坞史诗电影300壮士的电影-National暂无内容Lampoons暂无内容301:暂无内容The暂无内容Legend暂无内容of暂无内容Awesomest暂无内容Maximus暂无内容Wallace暂无内容Leonidas，另外从片名你可以看出这部电影会将三百斯巴达勇士,特洛依等其他好莱坞史诗电影一起恶搞，据悉影片是叙述最厉害的普洛泰戈这名身材走样的斯巴达将军变成传奇人物的过程中遭遇许多挫折的故事。暂无内容国家讽刺文社是美国大学生一直最爱的刊物之一，在1978年首部电影作品Animal暂无内容House讲述大学男生大闹笑话的故事，由於贴近其真实生活在当年以黑马之姿成为最卖座的电影并进入了百部经典喜剧片的行列，从此衍生了一系列冠入国家讽刺文社(National暂无内容Lampoon)名字的喜剧片.
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风中的洛朗
巴蒂斯特·佩鲁萨,碧翠斯·黛尔,托马斯·达洛兹,莫妮克·克雷斯潘,雷蒙·巴尔诺,苏赞妮·德芭奎,贾尼斯·布兹亚尼,吕西尔·巴莱佐,贝努瓦·格拉尔东,马克西姆·马尼昂,布鲁诺·莱德,乔纳森·默尔,帕梅拉·勒莫尼耶·埃利亚斯,维吉妮·阿尔诺,蕾拉·埃利亚斯,朱迪思·弗拉吉,伊拉·韦尔比茨卡亚,弗朗索瓦·奎克雷,约瑟芬·穆尔拉克,路易丝·皮特尔阴影村
西里尔·索文尼,莎拉·弗里斯蒂,尼古拉斯·高布,克丽丝塔·特瑞特爆水管
彭于晏,艾伦,周游,闫佩伦,杨皓宇,蒋雪鸣,付航,潘斌龙,卜钰,张琪,黄炎,徐东,杨朕,杨晨汐,周彦辰,刘亦淳,普雷姆·亚达夫,景瓷,艾然鱼刺2025
黄婧仪,柴烨,陈佳宁,黄渲文,王一楠,陈创,王宏伟捍卫机密
基努·里维斯,迪娜·迈耶,北野武一百样东西
弗洛里安·大卫·菲茨,马提亚斯·施维赫夫,米里亚姆·斯坦因,汉内洛勒·埃尔斯纳,卡特琳娜·塔巴赫,约翰尼斯·艾麦亚,马克西米利安·梅耶-布雷泽内德,玛利亚·佛万格勒,沃尔夫冈·斯塔姆普,Sarah Victoria Frick,Artjom Gilz,丹尼尔·弗利格,Milo Eisenblätter,Nora Boeckler同类推荐
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
致命录像带85
弗莱迪·罗德里格兹,詹姆斯·兰索恩,乔丹·贝尔菲,吉吉·索尔·格雷罗,丹妮·迪特,Chelsey Grant,Alex Galick,Justen Jones,马克·西普卡,Marcio Moreno,Anna Sundberg,Andrew Ghai,Chivonne Michelle,Tyler Noble,Gabriela Roel,弗洛伦西亚·里奥斯,Ari Gallegos,Felipe de Lara,Forrest Hartl,艾薇·拜尔在一部电视纪录片中，五个令人不寒而栗的故事浮出水面:科学家们观察到一个不寻常的男孩盯着电视看，孩子们开始了一场湖上划水冒险，一个电视摄制组在自然灾害中挣扎求生，早期的VR唤醒了一些可怕的东西，一个致命的梦被记录在录像带上。”20世纪80年代的邪恶秘密以一种你从未见过的方 式变得栩栩如生。
上天救命
曾志伟,钟楚红,吴耀汉,胡枫,何思嘉,秦沛,秦祥林,黄韵诗麦道梅（曾志伟 饰）人如其名，一生历经坎坷无数，去内衣厂工作就连累企业业绩直线下滑，谈女朋友就被抛弃，连累的三十多岁的家姐至今未嫁。无奈的姐姐拿出了家传的玉镯赠与一事无成的麦道梅，希望帮他转运，抑郁的麦道梅酒后驾车，被人撞下高坡，迷迷糊糊见到了牛头马面，此二鬼卒告知麦道梅阳寿未尽，在王百万、包黛丽、石神三人身亡之后即是他麦道梅之死期……清醒过来的麦道梅马上遇上了被撕票的富翁王百万，而石神便是绑架王百万的案犯之一，而包黛丽则是石神的女友，为了自救，麦道梅试图保护包黛丽和石神，因此卷入了这起绑架案，而石神的妹妹石女（钟楚红 饰）更是令麦道梅心动。未知麦道梅如何自救，又怎样赢得石女芳心？
宿命，吾爱：第二部
沙伊恩·布迈丁,奥菲莉·芭,Jessica Pennington,萨利姆·克希乌什,安德烈·雅各布斯,阿弗西娅·埃尔奇,亚历克西娅·夏达,Dany Martial,Marie Bernard,Delinda Kechiche,卢·卢蒂奥,Kamel Saadi,Athénaïs Sifaoui-Blanc阿明的暑假结束了。这位年轻的摄影师与他的casanova堂兄的前女友夏洛特度过了舒适的夜晚。她和他谈论文学，他给她拍照。在阿明与这些女性的相遇和他对电影的梦想之间，他有很多选择。
人证1977
冈田茉莉子,松田优作,鼻肇,乔山中,岩城滉一,三船敏郎,鹤田浩二,竹下景子,伴淳三郎,高泽顺子,范文雀,夏八木勋,长门裕之,珍妮八田,坂口良子,大泷秀治,佐藤蛾次郎,北林谷荣,西川峰子,铃木瑞穗,峰岸彻,地井武男,和田浩治,深作欣二死于东京皇家饭店电梯里的美国黑人青年被人发现后，警方展开调查，从死者遗物中，知晓其名叫焦尼，并推断其来日目的是为找寻生母。根据种种线索，警方来到某温泉，发现知情人已被杀害，但还是知晓了知名服装设计师八杉恭子（冈田茉莉子）当年曾与一美国黑人士兵在此同居之事，遂派警官栋居（松田优作）前去美国向纽约警察肖夫坦（乔治•肯尼迪）求证。 求证过程中，栋居陷入历史记忆与民族情结中，几欲将眼前的美国人尤其肖夫坦与当年在日本犯下罪行的刽子手混为一谈，但终回复理智完成了任务，将八杉恭子圈定为凶手，而八杉恭子不过也是历史的受害者。