榆树下的欲望
20世纪欧美文学《榆树下的欲望》是奥尼尔的代表作之一,也是一部广受关注的戏剧,有些论者认为它是;美国第一部伟大的悲剧这部悲剧像奥尼尔许多其他作品一样围绕着家庭矛盾展开。年过70的卡伯特是个固执的老农,他当年没有加入去西部淘金的狂潮,而是留在东部从沙砾地中开出了一片农田。他和两任前妻生了三个儿子,却一个都不爱,待他们很苛刻。小儿子伊本特别恨父亲夺走了母亲的财产,他为了达到将来独占产业的目的,诱使两个同父异母的哥哥偷盗了父亲一笔藏款后离家出走。老卡伯特从城里娶来一个叫艾比的年轻女人,目的是再生一个让自己满意的继承人。年轻的继母对伊本多方挑逗,意在借种生子谋夺家产,伊本经不住诱惑与之发生关系。艾比生子后,老卡伯特大喜过望,宣布婴儿将是田庄的主人。伊本痛诋艾比的阴谋,而艾比已真的爱上伊本,为表真心,竟将婴儿杀死。伊本向警局报案后,又被艾比的真情感动,不忍让她独自受死,遂自承同谋与艾比同赴刑场。老卡伯特还是没有继承人,只能一边埋怨上帝,一边继续耕作。
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蔻碧·米纳菲,尼尔·桑迪兰兹,凯特·伯顿,皮特·普劳泽克,沃恩·阿姆斯特朗,切尔西·阿尔登,Alaina Pollack,Riley Rose Critchlow,洛拉·凯莉,Mia Ellis人偶之家
长泽雅美,濑户康史,田中哲司,池村碧彩,本田都同花,今野浩喜,西田尚美,品川彻,安田显,风吹淳中华战士
杨紫琼,吴耀汉,尔冬升,卢冠廷,刘芊蒂,松井哲也,陈敬,张耀星,赵志凌,冯克安,黄正利,谷峰,刘晃世,罗莽,谭伟民村在天堂边
Axmen Cali Faarax,Canab Axmed Ibraahin,Ahmed Mohamoud Salleban,Axmed Cabdillahi Ducaale,Maxamed Xaaji Cabdi Fadax,Maxamed Axmed Maxamed,Maxamed Maxamuud Jamac,Maxamed Xusen Xasan,Aamino Saalad Gureey,Abdirisaq Daahir Khalif,Adbirisaq Ciise Cawad,Faadumo D车库惊魂
韦斯·本特利,瑞秋·尼科尔斯,西蒙·雷诺兹,菲利普·阿金,史蒂芬·穆尔,米兰达·爱德华兹,李善亨,格蕾丝·林恩·孔,芭丝谢芭·加内特,Philip Williams,阿诺德·平诺克,弗兰克·卡方送葬人2023
那塔乌·桑亚布,察猜·钦西,Thanadon Buarabat,Nek Naruepol,Phuwanet Seechomphu,蒂提·斯里努亚尔,Siriamol Onkoon同类推荐
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
校园往事
宋欣诺,吴长浩,阳院生,王海卓,陈升卫单纯善良的女主人公(陈梦曦)踏入了渴望已久的美丽高中校园。霸道顽皮的男主人公(陆晨)对陈梦曦一见钟情,因为李子轩是陈梦曦的同桌,而且他与陈梦曦、梁燕形影不离,所以陆晨对李子轩有意见。陆晨与他朋友们经常整蛊欺负李子轩,一次在操场上陆晨和他朋友一起把李子轩给揍了。善良乐于助人的陈梦曦与梁燕知道后,决定帮助他们化解矛盾,通过接触与了解,陆晨与李子轩及陈梦曦、梁燕之间的友谊逐渐形成。一天晚上,梁燕去参加朋友的生日晚会后,被人绑架了,陆晨与陈梦曦、李子轩及他的几个朋友拿钱去解救梁燕,他们与劫匪打了起来,他们全部被劫匪打倒,关键时刻,班主任带保安队长来到,经过一番激烈搏斗,最终保安队长制服了劫匪。
狂龙伏妖
陈浩民,乔牧,肖明玉赤屠龙师兄三人得知祖师爷被将要化成蛟龙的蛟妖所伤,于是自告奋勇去降妖。师兄来到升平镇,遇到何府抢婴,得知从骷髅精追回婴儿的妖人可儿,是年轻时与“梅花鹿精”素素之女。可儿告知母亲被蛟妖控制在阴风洞。升平镇内也是怪事连连,许家儿女行为异常,无忧和常乐布下天罗地网捉拿蝙蝠精;另一边荒郊大宅赤屠龙救下少爷荣华。蛟妖获悉得知强敌当前,双方展开激斗,因蛟妖法力强大,赤屠龙身受重伤;他取出祖师爷所赠的锦囊,悟出真谛,入蛟妖体内将其歼灭。素素吐出修练的仙珠救下奄奄一息的赤屠龙,重返深山望有朝一日能得道成仙。
幻想游戏
久本雅美,板野友美,田中幸太朗,仙石南早见真纪子是在大型建筑承包商就职的精英女强人。早见专注工作,目前单身,但她其实是“深夜寻找内衣”的网站背后神秘的女神。她把贴身衣物藏在街道,给提示让人们去寻找。有一天,早见遇见了在公园露宿的葵。葵是网站“向丈夫复仇”上的一名颇有影响力的博主。她趁丈夫在外工作,秘密向丈夫复仇。在现代网络文化之下面对复杂的事件,两个女人关系渐渐密切。
机动战士高达00剧场版先驱者的觉醒
宫野真守,三木真一郎,吉野裕行,神谷浩史,本名阳子,东地宏树,高垣彩阳,户松遥,小笠原亚里沙,高山南,滨田贤二,中村悠一,上田祐司,钉宫理惠,入野自由,斋藤千和,矶部勉,古谷彻,藤田淑子,恒松步,根谷美智子,川岛得爱,白鸟哲,梅津秀行,早水理沙,佐藤有世,松本保典,置鲇龙太郎,谷口节,小室正幸,白石凉子,游佐浩二,小形满,古岛清孝,清水美智子,奈良彻,星野贵纪,佐藤健辅,广田诗梦,胜地凉【故事简介】利翁兹·奥马克与天人的战斗以真正的改革者刹那·F·清英等人的胜利拉上了帷幕。独立治安维和部队A-Laws解体,世界终于走向了和平。这样过了两年,西历2314年,表面上消失了的天人为了防止战争发生仍然在暗处活动着,这时,新的战争打响了信号。再次集结起来的高达驾驶员们乘坐着新式高达,开始了战斗!【STAFF】企画:sunrise原作:矢立肇、富野由悠季脚本:黑田洋介人设原案:高河弓动画人设:千叶道德机体设定: 海老川兼武、柳濑敬之、福地仁、鹫尾直广、寺冈贤司、中谷诚一、大河原邦男动画机体设定: 中谷诚一美术设定:须江信人(KUSANAGI)美术监督:若松荣司(KUSANAGI)色彩设计:手岛明美(Wish)音响监督:三间雅文摄影监督:葛山刚士(旭Production)旁白:古谷彻制作人:池谷浩臣(sunrise)、佐々木新(sunrise)监督:水岛精二制作:创通、sunrise