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剧情简介
揭秘第三性别的生活，有乜的女人
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不明影像：绝对点击禁止
朴宝英,周元,江星噬童魔
杰西卡·麦丽奥德,Hannah Cheramy,约翰·埃梅特·特雷西,Jana Mitsoula,格内维夫·布彻纳,Connor Stanhope,乔安娜·纽马奇,Craig March爱情背叛
莎拉·鲍尔,安德鲁·富尔茨,马克·赫尔曼防空洞
维罗尼卡·莫希雷娃,伊戈尔·别特连科,Fyodor Lavrov,Mikhail Novikov,阿列克谢·舍甫琴科夫,亚历山大·梅乔金,Maksim Saprykin,玛格丽塔·阿布罗斯金,Nikita Abdulov,迪安·迈耶,Oleg Novikov,Artem Zlobin,Kirill Taskin,Andrey Marusin,Maksim Plekhanov,Maksim Gorshkov,Mikhail Sevastyanov,Daniel Littau,Linda Akhmetzyan人肉炸弹
莉斯尔·阿勒斯,蕾内·斯沃特,肖恩·卡梅伦·迈克尔怖谷鸟
亨特·莎弗,贾恩·布卢特德,马尔顿·索克斯,杰西卡·亨维克,丹·史蒂文斯,米拉·刘,格蕾塔·费尔南德斯,波斯·曼达尼,阿斯特丽德·伯格斯-弗瑞斯贝, 康拉德·辛格,卡琳·莫罗导演精选
暗金丑岛君：完结篇
在物欲横流的社会里，高利贷公司CowCow Finance的事业继续蒸蒸日上。然而，随着某日突然来访的，将社长丑岛馨称呼为“小馨”的中学同班同学竹本的出现，丑岛的过去逐渐被揭开。丑岛与盟友戌亥、得力下属柄崎和高田不得不面对来自知晓丑岛过去故事的最强敌对者鳄户三兄弟、与丑岛旧恨未了又添新仇的女性高利贷者犀原茜、欲要毁灭丑岛的十分有手腕的律师都阴以及立场无法判明的竹本的多重挑战，CowCow Finance史上最大危机来临……
拍得不错
由五個單元故事組成的GOOD TAKE，是香港電影新一代導演的創新作品，包括導演曾國祥《水泥》，講述警員9413（周柏豪）前往報案地點查案，最後只留下電話鈴聲卻不見其人，令人毛骨悚然；導演黃智亨的《囍宴》，一個小孩跟著跟爸爸（張兆輝飾）一起前赴媽媽新婚囍宴的故事，童真與成年人的無奈都盡在心頭；導演黃進的《Good Take》，透過甘草演員泰勒(盧海鵬飾)的生活是向資深電影從業員致敬的故事；導演楊龍澄的《不一定》，以型格對比色彩重構暴力血腥鏡頭；導演黃精甫的《嚇鬼》，Charlene（蔡卓妍飾）挑戰鬼屋一夜遊，遇上中國殭屍、長髮貞子和辮子姑娘，過程又驚又笑！五個故事各自有著不同風格及不同戲味！
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.