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耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
白天是阿波罗,晚上是雅典娜
吉泽姆·比尔根,梅利·杜泽恩利,巴里斯·戈内嫩,内拉·卡亚巴西,拉尔·曼苏尔,德尼斯·图尔卡利,塞伦·乌柴尔,埃兹吉·切利克德芙尼(Defne)前往古老的地中海城市西戴(Side),在那里遇到了一位革命者、一个妓女、一位女祭司以及其他神秘人物。在他们的指引下,她开始寻找抛弃她的母亲。这部由充满潜力的女导演艾米妮·耶尔迪勒姆(Emine Yildirim)执导的处女作,以西戴为背景。西戴是古希腊的一个殖民地,曾是位于今日安塔利亚附近的繁荣港口城市。电影《日为阿波罗,夜为雅典娜》标题中的两位希腊神祇分别是理性之神太阳神阿波罗和智慧、手工艺及战争女神雅典娜。这部影片是一部充满奇幻色彩的剧情片,讲述了女性与男性、生者与死者的故事。
英雄百夜
艾玛·科林,麦卡·梦露,尼古拉斯·加利齐纳,埃米尔·艾尔-马斯里,查莉XCX,理查德·E·格兰特,菲丽希缇·琼斯,瓦拉达·塞图,克里斯托弗·法里班克,马凯拉·卡维纳赫,汤姆·斯托顿,克莱尔·珀金斯,乔什·柯德雷,萨菲亚·奥克利-格林,毕扬·丹斯曼,杰夫·米尔扎,Olivia D'Lima,乔丹·库尔森,迈尔斯·基奥治,科里·彼得森讲述一个女性主义童话故事,为《一千零一夜》的新编,聚焦两个相爱的女人Cherry(麦卡·梦露 饰)和Hero(艾玛·科林 饰):Cherry与邪恶的男子Jerome(埃米尔·艾尔-马斯里 饰)结了婚,Jerome与他的朋友、好色的恶人Manfred(尼古拉斯·加利齐纳 饰)打赌,看Manfred能否在100晚之内勾引Cherry,如果Manfred成功,Jerome就把城堡和Cherry送给他。对此毫无兴趣的Cherry与她的女仆兼情人Hero策划了一计:在那100个夜晚,Hero将给Manfred讲述一些吸引人的故事,让Manfred从勾引计划中分心。
如来神掌2020
邹兆龙,巫迪文,唐菲,黄一飞龙剑北因为要筹钱救自己病重的妹妹,在一次机缘巧合之下,接触到神秘组织黑羽会,黑羽会不断在做人体实验,企图造出拥有超能力的改造人。为了钱,龙剑北接受超能力改造。由于控制不了体内的超能力,龙剑北拜了一位老者为师,学习驾驭超能力,学会了如来神掌,并结识了一位武林中的名门正派,二人一同上路,展开了各种紧张刺激的冒险……
陌生人:第三章
玛德莱娜·佩切,理查德·布雷克,贾妮斯·埃亨,Stephanie Aubertin,凯尔·布瑞特科夫,Jake Cogman,Krystal Ellsworth,汉娜·高威,乔尔·拉贝尔,布莱恩·劳,帕布洛·桑德斯特罗姆,蕾切尔·申顿,吴宇卫在系列终章中,幸存者们将面对蒙面陌生人的新威胁。随着秘密浮出水面,现实与危险的界限逐渐模糊,他们的生存之战也愈发凶险。
东京少女
夏帆,佐野和真,近藤芳正,秋本奈绪美,福永真梨佳《东京少年》的姊妹篇,同样以“无法有结果的恋情”为主题。 2008年的东京少女未步(夏帆 饰)的梦想是成为一名奇幻小说家,这天和母亲以及母亲的情人在餐厅用餐,对母亲准备再婚一事十分排斥的未步愤而离席。 1912年,宫田时次郎(佐野和真 饰)再次被夏目漱石退稿,缺乏生活经验的他写作出来的小说缺乏打动人心的力量。他沮丧地拿着退稿离开出版社。 突然发生地震,站立不稳的未步失手掉了手机,从楼梯坠入连接过去与未来的虫洞,被时次郎拾得。 不可思议地,相隔几近一百年的两个人,由误会到了解,渐渐情愫暗生,彼此倾诉生活中遭遇的问题,还异时空约会。但是身处未来的未步总是知道历史的发生,而当她想改变时,却发现一切只是无能为力。但是即便不能改变命运,也仍有真爱留低。
有情感的机器人
巴莱特·奥利佛,玛丽·贝丝·赫特,迈克尔·麦基恩,Kathryn Walker一名叫达尔的走失男孩被小镇人们发现,由于没人认领,他被带到福利院。经过检查,医生发现他身体各项机能正常,而且智商很高,只是失去了一部分的记忆。 达尔被安排暂时居住在安迪家。安迪和妻子乔依斯一直希望能够领养一个孩子,达尔的到来令他们异常兴奋。在相处的过程中,达尔和邻居家的小男孩特塔成为了非常要好的朋友,他们一起上学、一起玩耍、一起为安迪的棒球队赢得了胜利,大家都觉得达尔是个非常聪明而且惹人喜爱的男孩。 忽然有一天,两个自称是达尔父母的人来接走了达尔,这令安迪全家和特塔非常伤心。达尔也对他们产生了深厚的感情,恋恋不舍地离开了安迪家。 事实上达尔是一个在大脑中被植入芯片的机器人,但他现在具备了一个正常孩子的一切生理机能。来接他的也并非他的父母,而是制造他的博士。博士被达尔和安迪他们的深厚情感所感动,他希望达尔能像正常孩子一样生活,但国家的高级官员却要求摧毁达尔。博士在同事的配合下,将达尔带出试验基地,遭到警察的追击,途中博士为了掩护达尔中弹身亡。 达尔潜入空军基地,开着战斗机向安迪家的方向飞去。空军基地地面遥控飞机在飞行过程中自动摧毁,达尔弹出飞机,降落在安迪家旁边的湖中。达尔终于回到了属于他的“家”中。