即刻观影
剧情赏析
编辑推荐
禁忌凝视
皮娅·吉尔塔,克里斯托弗·约纳尔,塔雷克·扎亚特,Kristoffer Sagmo Aalberg,Ismael Al-Khazaali,Ibrahim Amaev,Anna Bakke,Negusse Berhe,Selma Brattabø,Osama Dabagh,Benjamin Ebbesen,Ragnhild Gudbrandsen,Johannes Hageseter,凯瑟琳·索博格·约翰森,Téa Grønner Joner,Celine Knag,Njål Lambrechts,Kenn艾娃是一位受人欢迎的教师，她的丈夫是当地的市长。尽管他背叛了她的信任，她仍然计划支持他的竞选活动，因此她开始在当地的一个难民中心做志愿者。在这里，她与18岁的难民阿米尔亲近起来，他的诗歌才华深深吸引了她。然而，他们越走越近，她对局势的掌控就越少。这部关于禁忌之爱的戏剧《别叫我妈妈》让主角们面临道德考验，同时挑衅性地探讨了虚伪如何伪装成慷慨。充分利用了自己作为选角导演的经验，尼娜·克纳格从演员皮娅·蒂耶塔、克里斯托弗·约纳和塔雷克·扎亚特那里得到了出色的表现。
太空生活
罗伯特·帕丁森,朱丽叶·比诺什,安德雷·本杰明,米娅·高斯,阿加塔·布泽克,拉斯·艾丁格,克莱尔·陈,伊万·米切尔,格洛里亚·奥比安约,斯嘉丽·林赛,杰西·罗斯,维克多·班纳杰,Juliette Picollot,Mikolaj Gruss,Weronika Wachowska在一艘飞往黑洞的宇宙飞船上，一群被判死刑的罪犯被赋予太空英雄般的使命，去为地球寻找替代能源。囚犯之间的性活动被严格禁止，只能通过飞船上的"盒子"装置来缓解生理冲动。其中，Dibs博士(朱丽叶·比诺什 饰)将每个囚犯当作实验动物对待，并疯狂致力于通过人工授精来制造婴儿，然而这些实验却一直没有成功，直到她偷偷取得奉行禁欲生活的Monte(罗伯特·帕丁森 饰)的精液...
鬼鲨
Mackenzie Rosman,Dave Randolph-Mayhem Davis,Amy Brassette,Sloane Coe,金·柯林斯粗鲁蛮横的博贝克（金·科林斯 Kim Collins 饰）和女儿维多利亚（Amy Brassette 饰）参加钓鱼大赛，谁知到手的鱼儿却被一条白鲨吃掉。博贝克勃然大怒，竟然用炸药对付鲨鱼，结果父女引来了可怕的杀身之祸，连驾驶游艇的船长也无法幸免。次日，爱娃（Mackenzie Rosman 饰）、卡梅隆（Jaren Mitchell 饰）、米克（Shawn C. Phillips 饰）、布雷西（Dave Randolph-Mayhem Davis 饰）等几名年轻人来海边玩耍，可在欢乐之时一条全身散发荧光的鲨鱼向人们发起猛烈攻击。原来鲨鱼也有憎恶怨恨之心，昨晚的鲨鱼虽被博贝克炸死，但它的怨念使它化身为复仇的鬼鲨鱼，向所有人类展开报复。 而这一切的背后，又藏着不可告人的秘密……
猎枭风暴
鲁诺,徐佳,田松,骆达华,王志刚,石兆琪,吕星辰,阚宇,张莎莎,李艺东,陈画风,袁苑,安琥,庄小龙一奶同胞的兄弟洪达和洪宇同属于卡尼亚军方的秘密猎毒小队，在执行东南亚边境扫毒任务时，被狡猾的大毒枭贡泰偷袭，即将成为父亲的洪达为掩护弟弟洪宇牺牲，洪宇背负巨大的创痛回到家中，无法面对一对孤儿寡母，加盟新组建的独狼小队，重返边境为哥哥报仇。
鬼三惊3
沃拉甘·罗娜瓦查拉,Akarin Akaranitimaytharatt,Passornkorn Chirativat,缇拉娜·友萨奴,Nutjaree Horvejkul,Numchok Thanatram,Natee Aekwijit,沪瓦隆·威伍飒,Sara Holher,Worachart Thumwijin高速公路：琵姆是高速公路收费站夜班收费员。凌晨三点钟在她当值的时候，一股邪恶力量正在威胁她的生命。 一夜情：谭是一个绘画修复者，喜欢参加各种派对和夜店。一天，谭遇见了一个神秘、性感的女人娜潘，并对她一见钟情。第二天凌晨三点钟，他找到娜潘并跟随她到她家。这个女人究竟是谁？ 电视直销：山姆是一档电视购物节目的导演。他的组员和主持人打算合伙捉弄他。他们密谋了一系列奇异的事件，想要报复一下这个自大的导演。凌晨三点钟，导演助理欧接到了山姆女朋友的电话，她打电话来是告诉他，山姆在来电视台的路上出车祸死了。欧试图把这个消息告诉组员们，但是没人相信他的话。这时，所有灯瞬间熄灭，恶作剧开始了……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.