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热门影视 大家都在看
偶像活动！×美妙天堂 THE MOVIE -相遇的奇迹！-
下地紫野,茜屋日海夏春生回家
桑格豪森的渴望
克拉拉·施温宁,马瑞尔·凯沙瓦茨,亨丽埃特·肯夫里乌斯,若阿内斯·贝尔茨,安德里亚斯·比特尔,安德烈亚斯·德勒,梅拉·芬克,帕特里克·弗兰扎克,苏珊·弗洛莫,杰里米·加利亚纳,安东·戈诺波尔斯基,莱昂尼·哈莫,迈克尔·哈斯通,玛琳·豪瑟,弗兰基斯卡·海纳尔,霍斯特·海尼,克里斯托弗·卡尼,阿里桑德拉·纳普,布索里·列,李景泽正人君子2024
崔贞允,许伊在,安喜延,安世珉我聘请了职业杀手
让-皮埃尔·利奥德,Margi Clarke,肯尼斯·考利,T.R. Bowen,伊莫金·克莱尔那家伙
周元,柳海真,李裕英,刘慧英,李俊赫,金英熊同类推荐
妖星哥拉斯
池部良,白川由美,久保明,水野久美,平田昭彦不明妖星哥拉斯在茫茫宇宙中不断前进，沿途吸附大量的星际飞行物，不断的变庞大，日本的观测宇宙船隼号，为了探明其质量大小，不幸被一起吸附，但是其在最后关头向地球发出了其质量数据，使地球上的人对其有了个初步认识，后经科学家计算测定，其质量为地球的６１００倍，而且将在４５天后与地球相撞。 为阻止地球与哥拉斯的相撞，科学家想出了一个大胆的办法，就是运用水素离子装置在南极造一个喷射基地（类似与火箭发射器），让地球动起来，在哥拉斯到来之前，使地球移动到其他轨道．等哥拉斯安全通过后，然后在北极在建个基地，使地球在回到原来的预定轨道。 计划实施的非常顺利，全世界各国在国联的带领下在南极建立了基地，但是由于在南极建造基地，在火焰发生器的作用下让长眠在南极的海象怪兽苏醒了，并破坏了一部份基地，后来，在飞机导弹的攻击下，怪兽死了，但由于怪兽的破坏，火箭发生器推迟了时间，到底地球能不能脱离哥拉斯的吞噬呢？
新咒怨(美版)
安德丽娅·赖斯伯勒,德米安·比齐尔,约翰·赵,林·沙烨,贝蒂·吉尔平,威廉·赛德勒,杰基·韦佛,塔拉·维斯特伍德,佐伊·费什,弗兰基·费森,南希·索瑞尔,乔尔·加兰,布拉德利·索茨基,埃内斯托·格里菲思一名年轻的单亲妈妈兼警探莫顿发现郊区的一间房子遭到一个复仇怨灵所诅咒，这使进入房子内的人都会惨死。进入被诅咒的屋子中的她们必须设法从中救出自己和她的儿子，以免受怨灵的袭击。
血战沙漠
迈克尔·C·威廉姆斯,乔·胡尔特拉斯,杰夫·普雷韦特,瓦内莎·约翰逊,Chems-Eddine Zinoune,P. David Miller,Jonas Ball,Matthew R. Anderson,Sam Hunter,Kenny Taylor,Qzaibar Allal,Hammou Abaou,Rkia Chkaroll,Ibtihal Iataren,El Hayrani Lekbir2001年11月，阿富汗加兹尼省。一支来自美国的特种部队小分队与CIA探员本杰明·凯恩斯（乔纳斯·鲍尔 Jonas Ball 饰）在此碰头，他们要在当地寻找一个名叫莫罕默德•阿班的男人。在线人阿布尔（Chems-Eddine Zinoune 饰）的引导下，他们来到据说莫罕默德藏身的山区。这里流传着恐怖的传说，在半个多世纪前英国就曾有一支上万人的部队在此地凭空消失。从特种队员踏入这片陌生领域的那一刻起，恐怖离奇的事件便如影随形。队员们接连失踪，他们仿佛走入一条通往黑暗世界的不归之路…… 本片荣获2008年纽约恐怖电影节观众奖最佳摄影奖、2008年墨西哥圣塔菲电影节Milagro奖最佳摄影奖。
提前的葬礼
姜末琴,奉太奎由于他们的父亲处于昏迷状态，护士Seon-young敦促她的兄弟Il-hoe举办一场假葬礼，因为他负担不起儿子的学费，有可能看到他错过大学。他们伪造死亡证明并欺骗医院，但随着压力的增加，他们的计划开始以意想不到的方式瓦解。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.