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大电影之数百亿
姚晨,黄渤,焦阳,曾志伟,宋佳,王迅以乳鸽店立身的安德森（曾志伟 饰）赴上海创业，却迷上炒房，将妻子气死也未思悔改，这天安德森在影院偶然听到代言新楼盘“碧水云居”的过气演员潘志强（黄渤 饰）放出的“内部消息”，遂再次筹款预抢购新房。与此同时，新婚的昔日售楼小姐罗茜（姚晨 饰）为碧水云居付出五万订金后，惊系该楼盘周边林立各污染源。潘志强担任楼盘主持嘉宾并为售楼公司鞍前马后，只希望对方能为自己的新片注资，不料却被要求退还订金的罗茜纠缠，潘志强心生一计，令罗茜将房转卖安德森，事成后自食其言拒退订金，罗茜无奈只得曝光楼盘内幕，结果引发连串反应，使潘志强与安德森发现自己陷入了开发商之局，于是各人苦思脱身之法……
断魂小丑3
杰森·帕特里克,丹尼尔·洛巴克,大卫·霍华德·桑顿,劳伦·拉维拉,拜斯·约翰逊,布拉德利·斯泰克尔,克里斯·杰里科,萨曼莎·斯卡菲迪,玛格丽特·安妮·佛罗伦斯,埃利奥特·富勒姆,亚历克萨·布莱尔·罗伯逊,Antonella Rose,克里斯·福克斯,夏洛特·麦基,西耶娜·休伯特-罗斯,奇普·卡里尔,卢西亚娜·凡德特,Annie Lederman,Kellen Raffaelo,安妮·莱德曼在经历了小丑阿特的万圣节大屠杀后，西耶娜和她的兄弟正在努力重建他们破碎的生活。随着节日的临近，他们试图拥抱圣诞精神，把过去的恐怖抛在脑后。但就在他们以为自己安全的时候，小丑阿特回来了，决心把他们的节日欢乐变成一场新的噩梦。随着阿特释放出他扭曲的恐怖，节日很快就结束了，证明没有一个节日是安全的。
我们埋葬死者
黛西·雷德利,布伦顿·思韦茨,马克·科尔斯·史密斯,马特·惠伦,Chloe Hurst,金姆·杰克逊,Dan Paris,Deanna Cooney,Nicola Bartlett,Kim Fleming,Kingsley Judd,Salme Geransar,Elijah Williams,Luke Jai,Megan Hollier,Steve McCall,大卫·佐纳,Matthew Parkin,Jimmy Duncan,Bruce Denny艾娃（黛西·雷德利 饰）是一名绝望的妇女，她的丈夫在一次灾难性军事实验后失踪，她加入了一个“尸体搜寻小组”，但当她埋葬的尸体开始出现生命迹象时，她的搜寻工作发生了令人毛骨悚然的转变。
毛骨悚然撞鬼经 2013夏季特别篇
指原莉乃,坂口宪二,深田恭子,藤谷太辅,铃木福《恐怖的二楼》少年畑野龙（铃木福 饰）似乎天生具有灵视的能力，他和外婆、妈妈（YOU 饰）搬到新家，结果发现他们不是这里的唯一住户。小龙看见了女鬼，可是妈妈却不相信；《X医院》信心受挫的实习医生佐佐木直树（藤谷太辅 饰）倍感压力，在此期间，各种诡异事件也交替在他身边出现，令他疲于奔命；《影子的暗示》厌倦了枯燥的工作，远山美和（深田恭子 饰）计划转职旅游公司，期间她时常会看见神秘黑影，而黑影所至之处必然发生灾难；《女子高中大危机》在女子高中任教的泽木洋介（坂口宪二 饰），其班上名叫亚里沙的女孩似乎制作了一个地下网站，他没有料到，恐怖的危机正慢慢降临这所高中；《蠕动的人偶》园田里菜（指原莉乃 饰）在街上相中了一个士兵人偶，于是不假思索将其买了下来，谁知这个仿佛有生命的玩偶正渐渐影响她的生活。
夜间巡逻
贾斯汀·朗,德蒙特·莫罗尼,杰梅因·福勒,CM朋克,尼基·米切奥,RJ·赛勒,飞莲,迈克·弗格森,弗雷迪 吉布斯,Zuri Reed,埃文·沙夫兰,YG,Kim Yarbrough,Colin Young,乔恩·奥斯华尔德,尼克·吉利,Dennis BoydAn L.A. cop discovers a local task force is hiding a secret that puts the residents of his childhood neighborhood in danger.
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.