小寡妇

⭐ 1.6 播放:71万 2026-04-29

婚礼后两个月离开丈夫的年轻寡妇乔·博阿(Jo Boa)决定下乡到一个安静的乡村,与色彩缤纷的姐姐奥比基(Obiki)住在一起,住在一起是过去的土玫瑰小组。然后有一天,一个年轻英俊的男人李坤宇在诗人和老人纳东s的帮助下回到乔宝儿的村庄,两人的关系开始了。李坤宇(Lee Kun-woo)帮助田野调查和耕种,并住在乔伯阿(Jo Bo-a)的房子里,同时照顾着Na Dong-soo的弟弟Na Dong-soo,后者在被男子惊吓后患有精神疾病。随着时间的流逝,BoA的身心开始转移到BoA的美丽和消磨时间上,Jo Boa无法掩饰她对Lee Kun-woo的热爱之情,两人自然会合。但是,随着Obiki也喜欢Lee Kun-woo并了解了两者之间的关系,就形成了一个奇怪的三角形。同时,杀害妇女的姜刚仁既是村民,又是富裕的收养者,她与Obiki达成了一笔金钱交易,让Jo Boa成为了自己的女人。 Obiki不能拒绝Kang-in提出的接受Lee Kun-woo的提议。然而,当根本对钢铁侠不感兴趣的乔博阿一眼不露一眼时,张哲仁甚至计划绑架安东秀的弟弟纳比,李坤宇的弱点。

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剧情提要

婚礼后两个月离开丈夫的年轻寡妇乔·博阿(Jo Boa)决定下乡到一个安静的乡村,与色彩缤纷的姐姐奥比基(Obiki)住在一起,住在一起是过去的土玫瑰小组。然后有一天,一个年轻英俊的男人李坤宇在诗人和老人纳东s的帮助下回到乔宝儿的村庄,两人的关系开始了。李坤宇(Lee Kun-woo)帮助田野调查和耕种,并住在乔伯阿(Jo Bo-a)的房子里,同时照顾着Na Dong-soo的弟弟Na Dong-soo,后者在被男子惊吓后患有精神疾病。随着时间的流逝,BoA的身心开始转移到BoA的美丽和消磨时间上,Jo Boa无法掩饰她对Lee Kun-woo的热爱之情,两人自然会合。但是,随着Obiki也喜欢Lee Kun-woo并了解了两者之间的关系,就形成了一个奇怪的三角形。同时,杀害妇女的姜刚仁既是村民,又是富裕的收养者,她与Obiki达成了一笔金钱交易,让Jo Boa成为了自己的女人。 Obiki不能拒绝Kang-in提出的接受Lee Kun-woo的提议。然而,当根本对钢铁侠不感兴趣的乔博阿一眼不露一眼时,张哲仁甚至计划绑架安东秀的弟弟纳比,李坤宇的弱点。

幕后花絮

名侦探柯南:独眼的残像

  “我想起来了……”沉睡的记忆与真相即将觉醒。  故事以长野县为舞台,高人气角色“长野三人组”大和敢助、诸伏高明、上原由衣将登场亮相。当毛利小五郎警视厅时期同事“鳄鱼”遭遇意外,与致使大和敢助“独眼”的神秘雪崩案交织,无法兑现的承诺和独眼中的残像就此重叠。雪花飞舞,真相与爱意终将明晰!这一次,毛利小五郎将不再沉睡,与柯南、大和敢助等人携手探案,亲手揭开掩埋于雪山之下的秘密与真相……

公寓2024

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.