按摩房的女大学生们

无效邮件

一份不祥的求助信被传到了20世纪80年代的一家邮局里，将一名死信调查员与一名被绑架的键盘技术员联系起来。

后座

　　弱不禁风的男子Colin（哈利·米尔林 Harry Melling 饰）遇上英俊无比的摩托车俱乐部首领Ray（亚历山大·斯卡斯加德 Alexander Skarsgård 饰），Ray将Colin收为他的submissive，并带他走近一群古怪的酷儿摩托车手，过程中各种收割童贞。但随着Colin深入Ray的那个充满规则和神秘的世界，他开始质疑自己是否真正适合这种当全天候submissive的生活。他是真的找到了自己的使命，还是仅仅用一种“窒息”的人生换了另一种？

勿扰警告

　　一群朋友计划离开城市去海边度过一个轻松的周末，但事情发生了变化，一个年轻女子在一个偏僻岛屿的岸边向他们挥手求助。伸手救援便是致命的危险，他们不顾一切要逃离小岛。

抢钱大作战

　　19岁的少年赛斯·戴维斯（吉奥瓦尼·瑞比西 Giovanni Ribisi饰）一心希望能尽快淘到自己的第一桶金，好让父亲另眼相看。他本打算靠玩非法纸牌起家，却发现此路根本行不通，直到一家名为J.T.马林经纪公司的股票经纪商找上了赛维斯。　　在这个号称“锅炉房”的核心办公室里，多少个一夜间成为百万富翁的故事深深诱惑着赛维斯。很快，野心勃勃的赛维斯便以优异的成绩通过了股票经济人认证考试，开始了他的“成功之路”。他把那些永远都没有前途的股票卖给利欲熏心的投资者。赛维斯正以极危险的速度追逐着金钱与利益，靠近着他所谓的功成名就，贪婪而不安。在纽约长岛这个瞬息万变的商业圈里，良心未泯的赛维斯终于开始面对良心的考验。

地狱无泪

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

女劫

　　XX是一个新的恐怖文选与性别扭曲的所有段将由女性导演将明星的女主角。在预算和时间限制下，董事们被赋予了自由的创造力，但所有的片段都将涉及到恐怖类型。