心里美
高中英文教师李淑敏(余香凝 饰)一直努力教学,却发现学生对她的课程始终兴致缺缺,反而热衷到补习班上课,视补教天王K.K.Ho(王浩信 饰)为偶像。李淑敏决定潜入补习班一探究竟,在课程中被KK发现,两人针锋相对,大吵一架,但竟激起KK对她的好奇心及好感,送花道歉之外更展开追求。 李淑敏对学生热衷补习颇不以为然,更对补习班充满偏见,她还发现KK任教的补习学校校长就是自己的爸爸李龙基(吴岱融 饰),她小时候认为父亲严厉的言语,是间接害死母亲的凶手,父女亲情淡薄,一见面就吵架。 然而KK的出现,让李淑敏改变对补习的看法,也开始用新的方式教学,患有心脏病的她,因过劳而昏倒,但她仍为了学生们重要的文凭检测强行出院,让父亲非常担心,就在一个大雨天中,一场意外骤然而至,让他们都措手不及。
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剧情简介
高中英文教师李淑敏(余香凝 饰)一直努力教学,却发现学生对她的课程始终兴致缺缺,反而热衷到补习班上课,视补教天王K.K.Ho(王浩信 饰)为偶像。李淑敏决定潜入补习班一探究竟,在课程中被KK发现,两人针锋相对,大吵一架,但竟激起KK对她的好奇心及好感,送花道歉之外更展开追求。 李淑敏对学生热衷补习颇不以为然,更对补习班充满偏见,她还发现KK任教的补习学校校长就是自己的爸爸李龙基(吴岱融 饰),她小时候认为父亲严厉的言语,是间接害死母亲的凶手,父女亲情淡薄,一见面就吵架。 然而KK的出现,让李淑敏改变对补习的看法,也开始用新的方式教学,患有心脏病的她,因过劳而昏倒,但她仍为了学生们重要的文凭检测强行出院,让父亲非常担心,就在一个大雨天中,一场意外骤然而至,让他们都措手不及。
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消失的证据
妹妹石晗离奇“自杀”,疑点重重。姐姐石岚毅然踏上追凶之路,她孤身对抗恶势力,艰难收集证据,最终在绝境中完成复仇,将施暴者一一绳之以法。影片不仅是一场酣畅淋漓的罪案追凶,更深刻揭露了人性之暗与正义的重量。
愿者安息
Cemal, a lonely hearse driver, has to transport the body of a young woman who has been murdered to her parents' home. During the trip, however, the body comes to life and when he sees her, Cemal falls in love with the undead woman. This is when he begins to commit murders in order to feed her, even if it means having to deal with the police's attempts to capture a serial killer.
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.