鸭王
纯情男何巨锋(何浩文饰)万人迷外表,更天生异禀雄风;凸 ;出,轻易成为学校风头趸。他因一次打斗事件被迫退学,在街市卖鸭的妈妈 (卢婉茵饰) 又因脊骨问题而停工,突然成为家中经济支柱的锋,人生也因而出现翻天覆地的巨变...锋一心一意在表姐红姐 (江美仪饰) 经营的鸭店当清洁工,但俊俏外貌及傻气的性格常被不少女客调戏。急于赚钱的锋终受不住鸭店常客 Yoyo (唐紫睿饰);万元一晚 rdquo;的诱惑,半推半就下初尝接客,但新手上阵频频失火,更被当红舞男 Chris (白健恩饰) 处处戏弄,令锋万分沮丧。锋在机缘巧合下得上一代鸭王 Abson (单立文饰)倾囊传授舞男绝学,令锋成为新一代鸭王。苦练成功再度上阵的巨锋,令一众女客人神魂颠倒,Michelle (袁嘉敏饰)打算背弃丈夫 Ben (何华超 饰),与锋远走高飞。锋因陪伴鸭店冷板櫈阿旦参加电影《舞男王者》招募,误打误撞反被导演 Chloe (何佩瑜饰) 看中,摇身一变成为电影明星。二人双双坠入爱河,打得火热。满以为鸭王的童话故事就此完美结束,但这是恶梦的开始。
剧情简介
纯情男何巨锋(何浩文饰)万人迷外表,更天生异禀雄风;凸 ;出,轻易成为学校风头趸。他因一次打斗事件被迫退学,在街市卖鸭的妈妈 (卢婉茵饰) 又因脊骨问题而停工,突然成为家中经济支柱的锋,人生也因而出现翻天覆地的巨变...锋一心一意在表姐红姐 (江美仪饰) 经营的鸭店当清洁工,但俊俏外貌及傻气的性格常被不少女客调戏。急于赚钱的锋终受不住鸭店常客 Yoyo (唐紫睿饰);万元一晚 rdquo;的诱惑,半推半就下初尝接客,但新手上阵频频失火,更被当红舞男 Chris (白健恩饰) 处处戏弄,令锋万分沮丧。锋在机缘巧合下得上一代鸭王 Abson (单立文饰)倾囊传授舞男绝学,令锋成为新一代鸭王。苦练成功再度上阵的巨锋,令一众女客人神魂颠倒,Michelle (袁嘉敏饰)打算背弃丈夫 Ben (何华超 饰),与锋远走高飞。锋因陪伴鸭店冷板櫈阿旦参加电影《舞男王者》招募,误打误撞反被导演 Chloe (何佩瑜饰) 看中,摇身一变成为电影明星。二人双双坠入爱河,打得火热。满以为鸭王的童话故事就此完美结束,但这是恶梦的开始。
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乔什·杜哈明,丹·福勒,米勒克尔·劳丽,Christie Burson,彼得·迈克尔·戈茨一对老友在公路旅行中被困沙漠，屡次求助无门酷暑难挡使他们暴力相向。
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迈克尔·克雷格,琼·格林伍德During the US Civil War, Union POWs escape in a balloon and end up stranded on a South Pacific island, inhabited by giant plants and animals. They must use their ingenuity to survive the dangers, and to devise a way to return home. Sequel to '20,000 Leagues Under the Sea' . Written by Stewart M. Clamen
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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末世厨房
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