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我家的律师又惹麻烦了
室毅,木南晴夏,吉濑美智子,菅野莉央,日向亘,入山法子,东根作寿英,本多力,早濑憩,安达祐实,村川绘梨,松尾谕,时任三郎,酒向芳,户田惠子,渡部笃郎,滨津隆之一英里
瑞安·菲利普,艾米丽·霍菲尔,莎拉·坎宁,Sage Linder,贝薇莉·埃利奥特,菲尔·伯克,加布里埃尔·哈辛托,C·托马斯·豪威尔,理查德·哈蒙,迈克尔·艾克朗德,Aodhan Guy,Jimmy Clarke,安德烈·特里科图,杰森·博杜安,Harper Grace Maybin,Jayden Popik,James Michalopolous,Anthony Timpano,乌戈·雷蒙多,艾普尔·特莱克杀戮游戏
皮尔森·福德,乔·阿德勒,劳拉·阿什利·塞缪斯,迈克尔·加兰特,Mouzam Makkar,Sari Sanchez,Tommy Beardmore,Ryan Carr,Patricia Urbonas Clark,Brian Christensen,Jay Disney,Alicia Hilton,Justin Nesbitt,Debbi Burns,希拉里·安德森亲陌公园
路易斯·布兰多尼,爱德华多·布兰科,Verónica Pelaccini,Agustín Aristarán,Manuela Menéndez,Matías Alarcón正义联盟：无限地球危机(下)
凯缇·萨克霍夫,迪恩·文特斯,马克·哈米尔,寇瑞·斯托尔,雅士利·伯奇,布莱恩·布鲁姆,布雷特·道顿,凯文·康瑞,杰森·斯皮萨克,艾尔西亚·罗塔鲁,辛希亚·卡耶·麦克威廉姆斯,尔玛·泰勒俘虏国度
约翰·古德曼,艾什顿·桑德斯,乔纳森·梅杰斯,维拉·法米加,凯文·杜恩,詹姆斯·兰索恩,阿兰·卢克,玛德琳·布鲁尔,机关枪凯利,凯文·J·奥康纳,本·丹尼尔斯,凯特琳·埃瓦尔德,D·B·斯威尼,瑞内·L·莫雷诺,珊农·克奇兰,琪琪·莱恩,马克·格拉佩,丹尼·高德林,简·巴克斯特·米勒,赛勒斯·亚历山大,伊立沙·弗雷丁,莉茲·丽,巴尔巴拉·伊丽莎白·马莱斯基,鲁斯·帕萨雷拉同类推荐
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
检事霞夕子～无关系的死～
沢口靖子,西村和彦,神保悟志,石丸謙二郎,いしのようこ,川野太郎,ダンカン,松原智恵子,手塚理美一名男子因猎枪走火而身亡，几乎所有的人都认为这是一起意外，只有一向风格强硬的检事霞夕子（泽口靖子 饰）倍感蹊跷。她执意深入调查，但是最终一无所获。与此同时，名叫安川初音（石野洋子 饰）的女子来到夕子老家的寺院上香，她此行的目的是悼念一个因被误解而意外死亡的男子。安川种种反常举动引起了夕子的注意，她旋即又对安川展开调查，却无意间发现这两起意外事件的关联。层层迷雾渐渐散尽，真相逐渐浮出水面…… 本片根据夏树静子的原著小说《路上の奇禍》改编，是3週連続 罪と女系列的第2部，另外两部分别为《破婚的条件》和《魔术的耳语》。
洋基的骄傲
加里·库珀,特雷莎·怀特,贝比·鲁斯,沃尔特·布伦南,丹·德亚,埃尔莎·扬森,路德维希·施托塞尔,弗吉尼亚·吉尔摩,比尔·迪基,厄尼·亚当斯,皮埃尔·沃特金斯,哈利·哈维,鲍勃·穆塞尔,马克·凯尼格,比尔·斯特恩,艾迪生·理查兹,哈迪·奥尔布赖特,乔治·莱西卢（加里·库柏 Gary Cooper 饰）出生在一个贫困的家庭之中，虽然他对于棒球这项运动有着狂热的爱好，但是母亲却希望他能够成为一名建筑师，因为在母亲的观念里，建筑师才能赚大钱。卢通过不懈的努力考进了哥伦比亚大学念书，同时也没有放弃自己的棒球梦想。在一次校级比赛中，卢的全垒打让他受到了球队经纪人的注意，与此同时，卢的母亲患上了绝症急需一笔医药费，为了拯救母亲，同时也为了自己的梦想，卢在20岁那一年签约成为了洋基队的职业球员。头两年，卢在球队里的事业并不顺利，一直都是坐冷板凳的份，直到1925年，卢在赛场上的优秀表现渐渐吸引了球迷们的目光，两年之后，卢一跃成为了球队里最有价值的球员。
治疗尸
陈郡君,张立昂,蔡子,陈沛兴,钟丽芬,刘芷希如果灵魂离开了身躯，肉体还是正常活动，该怎么去解释这种生命形态？余燕（陈郡君饰）早晨醒来便觉得身体有异常，先后与家人和男友许德（张立昂饰）发生争执，盛怒的余燕转身离去，随后发生车祸。经医生抢救逃过死劫，却找不到心跳。此时她被劫走，醒来后身处在地下密室，研究失魂者的胡教授解释余燕会失去魂魄，是因为内心有强烈的负面磁场，一旦受到冲击，灵魂就会脱离身体。余燕需要在72小时内把自己的灵魂找回来，才能够恢复正常。
日夜男女
杨冬麒,张梦戈,大兵,华运哥一对从外地来到北京打拼的陌生男女由于被骗不得已合租一间地下室，并同睡一张床引发的一段啼笑皆非的故事，与其他合租不同的是两人分时段合租，男孩晚上住，女孩白天住。那么两人如何被骗，又是怎样住在一起，女孩晚上又在做什么？而当这张床又被笨贼盯上，几人围绕这张床又会发生怎样出人意料的故事呢？很快我们就能得到答案。 该剧针对性强，受众度广，笑点密集，情节曲折幽默，搞笑而不搞怪，通俗而不低俗。