剧情纵览
绍安从师学雕塑,不知不觉中迷恋上年轻的师母,在雕塑创作中经常幻想抚摩师母的身体来得到灵感,为此他深感不安,决定离开。不料师傅却有了情人,并设计陷害他和师母,於是一切最终沉沦在肉体和欲望之中
绍安从师学雕塑,不知不觉中迷恋上年轻的师母,在雕塑创作中经常幻想抚摩师母的身体来得到灵感,为此他深感不安,决定离开。不料师傅却有了情人,并设计陷害他和师母,於是一切最终沉沦在肉体和欲望之中
当客人意识到有毒的鲨鱼正在滋生周围的水源时,一个热带单身度假胜地将会转瞬即逝。 它不仅会撕裂受害者,而且还会使用抛射酸来进出水中。
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
莫妮卡·贝鲁奇加盟科幻恐怖片[尼可曼斯](Nekromancer,暂译)。影片由澳大利亚导演凯·瑞奇-特纳及凯兄弟两人执导。影片卡司还包括本·奥图尔([底特律])、泰丝·哈乌布里奇([机器之血])。该片由eOne联合Screen Australia、 Create NSW投资制作。影片今年于悉尼开拍,剧情未知。
《锯齿状心灵》讲述的是一个女人被昏迷和奇怪的幻觉所困扰,她发现自己被困在了一系列的时间循环中,这可能与她神秘的新女友有关。