禁忌2 Taboo II (1982)

2.7 播放:46万 更新:2026-04-29

麦克在发现他最好的朋友保罗与他的母亲芭芭拉有关系后,开始探索自己对家庭爱情的好奇心。他对他的妹妹雪莉产生了好奇心,雪莉虽然起初犹豫不决,但雪莉很快就发现了她对哥哥的渴望,兄弟姐妹很快就开始了不正当的婚外情……直到他们的母亲抓住了他们……

即刻观影

剧情赏析

麦克在发现他最好的朋友保罗与他的母亲芭芭拉有关系后,开始探索自己对家庭爱情的好奇心。他对他的妹妹雪莉产生了好奇心,雪莉虽然起初犹豫不决,但雪莉很快就发现了她对哥哥的渴望,兄弟姐妹很快就开始了不正当的婚外情……直到他们的母亲抓住了他们……

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索蕾:来自未来的妻子

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  Sore从未来穿越回过去,只为改写她丈夫Jonathan的命运。但命运从不轻易让步——当过去、现在与未来交织,她与Jonathan的爱情也陷入无法逃脱的时间迷宫。

等待方舟

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  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

我的生命之光

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圣诞倾情

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魔力,魔力

艾米莉·布朗宁,迈克尔·塞拉,朱诺·坦普尔,卡塔琳娜·桑地诺·莫雷诺,阿古斯丁·席尔瓦

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